Using Belly Dance to Heal Deepest Emotional Wounds – Part 1

Using Belly Dance to Heal Our Deepest “Emotional Core” Wounds – Part 1

This post is not for everyone.

Really.

This is for “mature audiences only” – reader discretion advised.

(The following post shares personal experiences, and is not medical advice. If you are at all in doubt before you begin – should you choose to do something similar to what I’ve done – consider asking for guidance from a licensed medical or therapeutic professional. And perhaps have a trained counselor with you as you do this particular form of “inner journey.”)

What Is a “Core Wound”?

A core wound is the psychological impact from an experience (or set of experiences) that we have when we are young, or are otherwise exceptionally vulnerable. This (these) experience(s) occur when we are still shaping our basic worldview; our concept of whether or not the world is a “friendly place.”

Core wounds most commonly come from experiences with our immediate family. In particular, they come about with those whom we identify as essential to our survival.

To the best of my knowledge, all of us carry with us some sorts of core wound. We often have them no matter how much we do psychotherapy, seek “spiritual enlightenment,” or just plain “work on our stuff.”

How Can We Determine What – In Ourselves – Is Our Own Core Wound?

Mother Henna writes about her experience of seeing her "pain body" as separate from her "light body."
Mother Henna writes about her experience of seeing her “pain body” as separate from her “light body.”

Core wounds feel like psychological “hurt.” In fact, they “hurt” a lot. So as a result, we try to bundle them up and isolate them away from our conscious awareness.

Core wounds never really go away on their own. They stay inside us, with tremendous power – mostly because we try to contain and control them.

How Do We Detect Our Core Wounds, and Know What They Are?

Often, our core wound show up as “blurts.” These can be phrases that we say to ourselves. Sometimes, they even slip into our conversations! Or, we show ourselves (and others around us) a core wound by voicing strong opinions about how a person (or certain group of persons) always does something that is “bad.”

Core wounds feel intensely private. We rarely – if ever – discuss them with others. Often, if we do psychotherapy or have a life coach or a spiritual counselor, we may work for months before we tentatively allow our core wound area to be broached. This is because, of all the parts of our inner world, our core wound feels most sensitive, most vulnerable, most “ouchie”!

And yet, if we do allow a core wound area to “come into the open,” we may be surprised to learn that our coach, counselor, or therapist really knew about it all along. (And so, for that matter, did our relationship partners, and possibly our boss, co-workers, family, and friends.) This is because our core wounds affect us so much that we “give them away” all the time!

Who Else Talks About Core Wounds?

Eckhart Tolle writes about core wounds in The Power of Now. He calls them our pain-body.

Paper

Kindle

Core wounds never really go away on their own. They stay inside us, with tremendous power – mostly because we try to contain and control them.

Often, our core wound show up as “blurts.” These can be phrases that we say to ourselves. Sometimes, they even slip into our conversations! Or, we show ourselves (and others around us) our core wound by voicing strong opinions about how a person (or certain group of persons) always does something that is “bad.”

Using Oriental Dance (Belly Dance) to Heal

We can have breakthroughs, and often do. But still, these are the “core.” They go right down to how we believe that the world works – in our favor, or not. Dangerous, or safe and friendly.

When we dance, we sidestep the cognitive side of who we are. When we let our bodies simply move, and express how we feel, we can access – and begin to heal – our core wounds.

I’m not talking here about technique practice, or learning a tight little choreography. There is nothing wrong with either technique or choreography. But at some point, we need to go beyond – to what dance really is, and what it can do for us – if we start releasing ourselves to the flow of energy and feeling that we can experience as we dance.

Z Helene Christopher – in her excellent paper on Middle Eastern Dance: The Emergence of the New Sacred Temple Priestess – provides four key points that will help all of us (including myself) use Oriental dance (belly dance) to heal our core wounds. According to Z Helene:

There are four main points in which we, as new temple priestesses, reclaim and reconnect with the ancient Goddess.

  1. We must understand our dance as embodying nature, especially its fertility aspects… Our dance exudes fertility. We move our pelvises and roll our bellies, honoring the sexual act and the resulting procreation…
  2. We reclaim and reconnect with the ancients by understanding our dance as manifesting ecstasy… Our movement invokes the ecstatic kundalini…
  3. We reclaim and reconnect with the ancients by understanding our dance as an experience of Divine Union…
  4. We reclaim and reconnect with the Goddess by understanding ourselves as dispensers of karuna; early motherly love … transformed … to embrace all forms of love: touching, tenderness, compassion, mercy, sensual enjoyment and eroticism.

Alay'nya - author of "Unveiling: The Inner Journey"
Alay’nya – author of Unveiling: The Inner Journey

Very best wishes as you tap into who you really are using dance!

Yours in dance –

Alay’nya
Author of Unveiling: The Inner Journey
You are the Jewel in the Heart of the Lotus. Become the Jewel!

Founder and Artistic Director, The Alay’nya Studio
Bellydance a courtesan would envy!

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From Z Helene’s Amazon review of “Unveiling: The Inner Journey”: “Unveiling is about becoming more intimate with ourselves. It is about peeling away the outer layers that keep us from knowing, naming, and attaining our deep wants and desires. By embarking upon a transforming inner spiritual journey, we are encouraged to get connected to ourselves in a way that allows us to genuinely feel our bodies and emotions– all of them, even the undesirable ones. By integrating and loving our “shadow” sides, and by doing daily practices such as stillness, softening, releasing, shifting state, and breathing, we increase our vital energy (prana, ch’i) which makes us more attractive and, yes, more erotic as well. For true attractiveness, according to Alay’nya, is the ability of women to lessen their adopted masculine roles of control and being in charge (Amazon archetype), and instead to surrender to pure energy, motion, and love. This is what makes us beautiful!”


Z Helene Christopher
Z Helene Christopher – Dancer and Herstorian, High Priestess and Teacher. Photo courtesy Rick Fink.

P.S. – Have you read Z Helene’s article on Middle Eastern Dance: The Emergence of the New Sacred Temple Priestess? I recommend it to all my dancers!

Z Helene also has a 4-volume basic Middle Eastern dance (belly dance) instructional DVD set, and another DVD on zills, available through her website. Check them out!


Copyright (c) 2013, Alay’nya. All rights reserved.

Related Posts: Energy Healing and Emotional Healing through Dance

The Most Luscious, Nurturing, Feel-Good Thing You Can Do

The Most Luscious, Nurturing, Feel-Good Thing You Can Do in Bed, On Your Own

And I’m not even talking sex. (Well maybe. Just a little bit. Later.)

What is the one thing that you can do on your own, in bed, that sends a totally relaxing and soothing feeling up your spine?

It’s the same thing that I wrote about a few days ago, leaving you with a bit of a “cliff-hanger.”

Because, as I asserted in my last post, many of you already know this!

The real surprise is, many of you already know this – and you might even be new to Oriental dance!

Believe me, I am more than surprised. I am amazed. I am totally blown away.

When I learned this “little secret” – many years ago, as I was writing Unveiling: The Inner Journey – it was news to me.

Our belly dance "Figure 8" ("Figure Eight")  movement mirrors the infinity sign, and also traces a subtle internal movement at the base of our spine.
Our belly dance “Figure 8” (“Figure Eight”) movement mirrors the infinity sign. Infinity sign coded by Charles Petzold

The really important thing about what she shared?

It’s that the insight didn’t come from a member of the Oriental dance community. It came from someone who was skilled in the mind/body healing arts. (Diane now does something called HeartMath.) My students who already knew about this movement were practitioners of Reiki, yoga, deep tissue massage, and related areas.

So what is this one thing?

It’s the movement that we dancers call the “Figure 8,” done with our hips.

Our “Figure 8” (“Figure Eight”) movement in Oriental dance (belly dance) mirrors the infinity sign, and also traces a subtle internal movement at the base of our spine. The person who “clued me in” on this movement was Diane Richardson, whom I mentioned several times in Chapters 14 – 16.

I’ve looked at a number of YouTube vids purporting to teach the (vertical) Figure 8, and have only found one so far that is trustworthy – click here to see a Figure 8 tutorial. Just watching this dancer, you’ll see how the Figure 8 activates – actually massages – the sacral area. Beautiful!

(Be careful if you’re looking at various online clips; some focus on a horizontal Figure 8; that’s nice, but not what we’re discussing here. Others show a Figure 8 that starts “top to bottom”; this is sometimes called a Maya. And surprisingly, just changing the direction of how the movement is initiated makes a huge difference. For best energetic benefits, do the “classic Figure 8” – start going down-and-out, then up. And no matter what anyone tells you, try to keep your feet on the floor!)

Enough of the technical hints. The real question is: Why is this movement so important? Why is it more than just one of the many basic “belly dance techniques”?

The answer – as I shared in Unveiling: The Inner Journey – is:

She [Diane] pointed out that Oriental dance is built on a natural undulating and flowing movement that connects our entire spine, from our cranial vertebrae down to our sacrum. In addition, she helped me to sense a very subtle and naturally-embedded “figure eight” motion at the base of my spine. … All that we are doing, as we dance, is to tap into these innate, natural rhythms, and magnify them into a dance. (pp. 410-411)

So, the Figure 8 movement in Oriental dance:

  • Taps into a subtle, naturally-occuring rhythm in our sacral area,
  • Activates the physical and energetic components, and
  • Induces a sort of “energy wave” that travels up our spines towards our heads; essentially initiating a form of cranio-sacral massage.

To the best of my knowledge, doing a physically-correct Figure 8 movement is entirely safe, given that a person has no physical or neurological conditions that would make this movement difficult. (If the reader has any doubt or questions, he or she is advised to consult a medical professional first.) Also, to the best of my knowledge, while well-done Figure 8’s gently encourage both cranio-sacral release and (somehow) produce a “feel-good” effect, I don’t believe that this movement alone will cause release of kundalini energy. As a reference, in yogic teachings, the kundalini energy is stored as a “coiled serpent” at the base of our spine. When we do the Figure 8, we are gently activating life-force energy, but I don’t believe we’ll have any danger of arousing kundalini.

The Figure 8 does, at least in my experience, seem to relate to an overall group of intrinsic motions from the cranium down to the sacral area. Healing professionals are learning to sense and work with these rhythms in a healing modality called cranio-sacral therapy. I have personally experienced cranio-sacral therapy treatments, and found them safe, gentle, peaceful, and healing.

I like to do Figure 8’s in bed, because then gravity is not working on my sacral area. It is freer to move. And because this movement is gentle and relaxing, it will sometimes help me sleep easier and more restfully. And the relation to sex? Well, if we release our sacro-iliac area, and in fact mobilize our entire pelvic region (and Oriental dance movements help us with just that), then we are much more likely to have pleasure, right?