How Old Is Belly Dance – Really?

The Healing Power of Belly Dance in Water – The Evolution of Belly Dance

Belly Dance Breakthrough via Dancing in the Water

Belly dance in water is a natural hydrotherapy for tension release and a great way to reduce stress and promote natural healing. Energy healing comes as we release stress and let go of back tension. We learn belly dance effortlessly as water shows us natural belly dance techniques.

Tension release has been a big goal for most of my life. I sought stress relief in many ways; many of these involved natural healing and emotional healing. I sought out various energy healing methods, and I saw my chiropractor regularly, got massage, stretched, did dance, and all the “right stuff” to ease the tension. And yes, I had lots of “release breakthroughs” – but this has been one of my core problem areas throughout my life.

Belly dancing in water helps release tension
Belly dancing in water helps release tension and makes movements more graceful and supple.

Not surprisingly, I’m always on a quest to learn how to release muscle tension.

One breakthrough happened when a business trip took me to Hawai’i. I took a few extra days to enjoy the exotic locale.

Natural hydrotherapy, or water therapy, was not something that I expected to find – but I learned how to reduce stress when the soft beach waves gave me a natural water therapy treatment!

I had already been giving belly dance lessons for years, and had taught many women how to belly dance. We all found that belly dance was one of the best stress relievers in our life! But on this trip, I learned how to reduce stress – and release muscle tension – in a very new way!

I was surprised to find that even the world-famous Waikiki beach was nearly deserted after the sun went down. I went out into the water – and found that the beach-shelf extended far out beneath the shore; it was a very gradual and gentle slope. That meant that I could walk out quite a ways before the water really came up to chest-level.

The waves were very gentle; really just a rhythmic swelling. I began to feel calmer; more tranquil and and peace with the world.

I tried “playing” with my belly dance moves in the water, resting my hands and arms very lightly on the water’s surface. It’s then that something new started happening.

Belly Dance in Water – How Surprisingly Right It Feels!

The natural buoyancy of the warm sea-salt water, coupled with the gently swelling waves, helped me relax from the long flight and the meetings. I began to let go of some body tension.

Woman in water. Photo by <a href="http://flickrhivemind.net/Tags/coper">Ton Haex</a>. Used with permission.
Woman in water. Photo by Ton Haex. Used with permission.

I flexed my knees just a little bit. This helped me keep my balance. Then, I found that my back was naturally undulating in response to the gentle swells.

Since I was much more buoyant, my hips and pelvis freed up. I started doing all the pelvic techniques – hip circles, Figure 8’s, and others – in a much more natural way.

Resting my hands and arms gently on the water, I found that snake arms simply “happened.” I didn’t have to force them. The “right technique” simply emerged.

This was one of the “transformation moments” in my dance. Now, every time I’m at the beach or in a pool, I try belly dancing in water again. It feels so good to recapture the body-memory of how natural belly dance really is!

The Healing Moment

The healing moment came when I tried undulations. Or rather, I relaxed and let the gentle water swells cause the undulations to happen.

Undulations – upper, lower, and combined – are how our bodies respond to the gentle rhythm of the waves. Releasing ourselves to this healing movement in water helps us integrate, heal, and nourish body, mind, psyche, and soul.


Jewel in the Heart of the Lotus
You are the Jewel in the Heart of the Lotus.
Become the Jewel!

Do you want this kind of healing in your life? Do you want the kind of total body/mind/energy healing that comes as you release and let the water carry you?


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The Real Origins of Belly Dance – From Our Pliocene Ancestresses!

So it’s not hard to wonder why belly dance feels so right in the water – almost as though it is the most natural thing in the world. And perhaps, it feels that way because it is natural for belly dance to happen in the water; this is very possibly how our dance began!

I remembered reading Elaine Morgan’s The Descent of Woman many years ago. (Fascinating read; and I so recommend finding a copy and taking it to the beach with you!)

Elephants evolved long trunks.
Elephants evolved long trunks that helped them breathe when standing in water, and to cool themselves. Photo by Kendra Crowell.

Morgan’s thesis is that humankind went through a major evolutionary growth spurt during the heat wave of the Pliocene era, when temperatures in some parts of the world were higher. She suggests that humans (along with several other highly evolved and intelligent species, including dolphins and elephants) took to the waters during this time. Dolphins became completely water-adapted. Elephants evolved their long trunks, so they could breathe while cooling themselves.

And we humans? Basically, we “became human.” We stood upright (in the water of the beaches and lagoons). We evolved language. A number of our social – and sexual – behaviors come from this time.

My guess?

We also evolved belly dance.


Summertime Good Beach & Pool Reads

What will you read at the beach this summer? Try Elaine Morgan’s Descent of Woman, which kicked off a firestorm in the 1970’s. Her insights and logical reasoning hugely upset the apple cart of “how we humans came to be,” devised by male anthropologists promoting the “great male hunter” myth.

Morgan received widespread interest, a good deal of acclaim, and a lot of criticism, as Descent of Woman was written for general readership, and was not tied to references in the same way as would be an academic book or paper.

Her next book, the Aquatic Ape Hypothesis, added rich references – but is still enormously readable!

Read either, or both, while at the beach or pool – and then use some of her fascinating anectodes and insights to launch your evening conversations. With the right crowd, you’ll get a lively discussion going!

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Belly Dance Comes Out of the Water

Naturally, we progressed beyond our early hominid stages. But we still had a fondness for going to the beach!

Belly dance was born in water - and came to fullness as we danced around fires at night!
Belly dance was born in water – and came to fullness as we danced around fires at night! Photo from Deva Coaching.

Let’s move forward to the time of our ancestresses; a time in which we had recognizable humans – but not yet societies with written language. We had fire, though.

So after a day at the beach, spending our time in the gentle waters, what would we do in the evenings?

Build a driftwood fire, and dance.

Our movements? Those that we had been doing all day long – in the water. Now, though – dancing on the beach sand around a fire – we could leap and turn much more easily.

We lost the buoyancy of water, but gained the ability to turn, leap, and spin.

Early ancestors developed percussion instruments, which spurred the percussive movements of belly dance.
Early ancestors developed percussion instruments, which spurred the percussive movements of belly dance.

We gained the ability to put “sharpness” into our techniques – to do more “percussive” work with our hips and ribs. (These were more emphatic on land, without water slowing the movement’s impact.)

Of course, we were also making our first musical instruments around that time. And these first instruments were percussive; things that we could drum or strike – even clapping our hands. So we had the impetus of percussive accompaniment to spur on our evolution of “percussive” techniques (hip drops, hip and rib accents, etc.).

And thus, belly dance evolved – a combination of movements that were born in water, and completed on land.

To bring the natural buoyancy of water into your technique, check out the video in my previous post. Let let me know via comments if this works for you!


Alay'nya - author of "Unveiling: The Inner Journey"
Alay’nya – author of Unveiling: The Inner Journey

Very best wishes as you make your dances more fluid and expressive by including the joy of “water play” in your practice!

Yours in dance –

Alay’nya
Author of Unveiling: The Inner Journey
You are the Jewel in the Heart of the Lotus. Become the Jewel!

Founder and Artistic Director, The Alay’nya Studio
Bellydance a courtesan would envy!

Check out Alay’nya’s YouTube Channel
Connect with Alay’nya on Facebook
Follow Unveiling: The Inner Journey on Facebook

 


P.S. “Water therapy” helps emotional healing through belly dance – see how Alay’nya uses belly dance in water to release neck, shoulder, and back tension, minimize carpal-tunnel-like stress in the wrists, and create beautiful snake arm movements!


What Does a Leading Belly Dance Teacher Have to Say about Unveiling: The Inner Journey?

From a much-respected Oriental Dancer writing under the Amazon nom de plume of SapphoandRumi, read her Amazon review of “Unveiling: The Inner Journey”: “Even though I’m familiar with much of what she says because I’m a long time belly dance instructor with similar slant; belly dance is more than a dance on a stage; but there is a great deal of new insights I find provocative. She has my ear. Her voice is intelligent and the contents [are] well written and excellently laid out. Bravo!”

 

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P.P.S. – Do you want the healing power of belly dance in water?

Try doing your belly dance when in a pool this summer – or (better yet) – get into a saltwater pool. This can be a hydrotherapy pool, or water in a sheltered lagoon or beach.

Want more? Delilah usually offers a winter belly dance workshop in Hawai’i – what better place?

Delilah's Belly Dance Retreat
Delilah’s Belly Dance Retreat

Copyright (c) 2013, Alay’nya. All rights reserved.

Related Posts: Water Dancing and Emotional Release Through Belly Dance


Belly Dance Was Born in the Water!

Belly Dancing in Water – Creating More Natural, Graceful, and Sensual Snake Arms

Alay'nya helps women learn belly dance "snake arms" technique by practicing in water.
Alay’nya helps women learn belly dance “snake arms” technique by practicing in water. This approach also releases neck, spine, and wrist tension, and gives a more natural and graceful expressiveness to dance!

Do you feel that your belly dance snake arms, your undulations, and your pelvic techniques are as supple, fluid, and graceful as you want them to be?

Do you want to finally master good snake arm techniques?

Your “secret weapon” to gaining fluidity and expressiveness is to play with your belly dance movements in water!

Study with Alay’nya in this YouTube clip to get ideas and inspiration:
Belly dance snake arms – practice in the water!

Filmed live at the first private book signing for Unveiling: The Inner Journey, hosted by Nicole Cutts, Ph.D., Founder of Vision Quest Retreats.


Belly Dancing in Water

When you try your belly dance moves in the water, the natural buoyancy helps you release tight spots and mobilize your neck, spine, and pelvis. Try it! You’ll find that not only your “snake arms,” but your undulations and pelvic rotations/Figure 8’s all become much more soft, natural, and expressive.

It’s great to find out how well your classic belly dance moves work when you are not feeling the effects of gravity so much. A new body awareness can come through this practice, and you can take this into your regular dance.


Alay'nya - author of "Unveiling: The Inner Journey"
Alay’nya – author of Unveiling: The Inner Journey

Very best wishes as you make your dances more fluid and expressive by adding “water play” to your practice!

Yours in dance –

Alay’nya
Author of Unveiling: The Inner Journey
You are the Jewel in the Heart of the Lotus. Become the Jewel!

Founder and Artistic Director, The Alay’nya Studio
Bellydance a courtesan would envy!

Check out Alay’nya’s YouTube Channel
Connect with Alay’nya on Facebook
Follow Unveiling: The Inner Journey on Facebook


From Dr. Nicole Cutts’ Amazon review of “Unveiling: The Inner Journey”: “I love, love, love this book! It is like the g*ddess mother, mentor I never had and always needed. Finally a book that just tells it like it is for women. It is well written, intelligent and enlightening. For any woman who wants to live a life of adventure,joy and love. It is rich with so much wisdom and grounded in thorough research, which I love! I can’t say enough about it. All I can say is read it if you are looking for something new to take you to the next level of womanhood.”

 

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Nicole Cutts, Ph.D., with Alay'nya, at the first private signing of "Unveiling: The Inner Journey"
Nicole Cutts, Ph.D., with Alay’nya, at the first private signing of “Unveiling: The Inner Journey”

P.S. – Are you seeking to revamp and rev up your life? Do you have goals, desires, dreams that seem almost within your reach?

Nicole Cutts, Ph.D., Success Coach and Founder of Vision Quest Retreats, can help you map the strategic plan to achieve your dreams.


Copyright (c) 2013, Alay’nya. All rights reserved.

Related Posts: Water Dancing and Emotional Release Through Belly Dance

Vintage-Style Oriental Dance: Veil Dancing and Floorwork

Alay’nya – Veil Dance and Floorwork – YouTube Link

Alay'nya performing improvisational veil dance with floorwork
Alay’nya performing improvisational veil dance with floorwork, Tiraz Dance Network 7th Annual Belly Dance Convention, Herndon, VA, May 11, 2013.

Improvisational Oriental dance – vintage-style: veil work, moving across the floor, floorwork: Alay’nya in veil dance.


Alay'nya - author of "Unveiling: The Inner Journey"
Alay’nya – author of Unveiling: The Inner Journey

Very best wishes as you use experiment with your own improvisational dance!

Yours in dance –

Alay’nya
Author of Unveiling: The Inner Journey
You are the Jewel in the Heart of the Lotus. Become the Jewel!

Founder and Artistic Director, The Alay’nya Studio
Bellydance a courtesan would envy!

Check out Alay’nya’s YouTube Channel
Connect with Alay’nya on Facebook
Follow Unveiling: The Inner Journey on Facebook


7 Tips to Make Your Veil Your Friend

Seven Tips to Making Friends with Your Veil – and Getting It to Do What You Want!

Belly dancing with a veil helps make our dance much more interesting and exciting. Veil dancing is one of the most important aspects of learning belly dance (Oriental dance). Your “dance of veils” – if done right – can enrapture your audience. Veils help make your belly dance costumes more beautiful, complete, and satisfying.

Alay'nya with veil
Veil dancing: Alay’nya shows how a belly dancing veil can frame us and give greater expressiveness.

Not all belly dance lessons include veil technique. This blog post introduces tips to improve your veil dance, and give you links to some good belly dance DVD and YouTube resources. It will help you learn belly dance online with useful free resources. With some practice, you can do a “veil belly dance” that will add to your repertoire and let you be more artistically creative and emotionally expressive.

Nothing – absolutely nothing – increases our “glamour-factor” more than dancing with a good veil. It’s not just that our veils immediately give us more “presence” on stage. They also frame us (naturally, in the best color possible). They also extend our “reach” – allowing even the most petite of dancers to command the stage more readily.

Swirling, “big-scale” veil dynamics provide an exciting counterpoint to the often more delicate, understated, or precise vocabulary of undulations and pelvic techniques. For this alone, they are a valuable part of a dancer’s “expressive vocabulary.”

Veils give us an opportunity to build up the dramatic tension – the excitement, the anticipation – as we slowly unveil ourselves during certain dances. Also, they give us the most dramatic options for entrances and finales, especially when we are “circling the stage.”

In short, nothing enhances our expressiveness, our excitement, and our emotional range more than a good veil.

Some of us, though, feel that our veil is more of an enemy than a friend.

How do we “tame” our veil? How can we make it an extension of ourselves, so that we seem to naturally, gracefully, and effortlessly control the stage, command the veil, and compel our audience’s rapt attention?

This blog will present: Seven Tips to Make Your Veil Your Friend

Briefly, these are:

  1. Make Sure Your Veil is the Right Length and Color for You
  2. Make Sure Your Veil is the Right Material and Weight for Yourself
  3. Three-Point Control
  4. Learn How to “Frame Yourself” with Your Veil
  5. Put Enough “Oomph” Into Your Veil Moves
  6. Move Your Body When You Move Your Veil
  7. The Power of Nuance – It’s All in the Wrist!

Tip #1: Your Veil is an Important Part of Your Belly Dance Costume: Make Sure It is the Right Color and Length for You

While 2 1/2 yards was the “standard” length for years, many of us now use at least 3 yards. Over the years, I’ve moved away from shorter to progressively longer veils.

The most important length factor relates how long the veil is – when you are holding it – to how much length there is from the tips of your fingers to the floor.

My favorite veil – the one with the best length, color, weight, and “lift” – is 3 yards long. When I hold it in “basic veil” position – across my neck and shoulders, and down at each side, the each side of the veil is just 6 inches off the floor. This is a very good and workable length. I have about 18 1/2 inches of veil “trailing” from each of my fingertips. This is enough to be dramatic on stage.

Less veil (2 1/2 yards), and I lose stage drama. Too much veil, and it gets unwieldy; it’s harder to put enough “oomph” into it to keep the edges from getting fouled, and there’s increased risk of stepping on the veil.

To sum the length suggestion: About 6 inches from veil edge to floor, while you hold the veil centered on the back of your neck, is about right. For me at 5 feet, 4 inches, this means a 3-yard veil. If you are much taller – say 5′ 10″ or more – you could seriously think about a longer veil; up to 3 1/2 yards.

I’ve worked with long veils – 4 yards and more. They require more proficiency, and also more stamina. Longer veils mean more effort to keep them “floating,” so it helps to be in good shape and to have good technique before progressing to a really long veil.

Color is also important. If you haven’t had a professional color analysis done, use online resources to help you figure out your best colors. Your veil will reflect onto your face and body, so you want a color that will make you look your best.

For more on how to select your veil, you may wish to read Chapter 4: “Playtime for Grown-Up Girls,” in Unveiling: The Inner Journey.

 

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Tip #2: Make Sure Your Belly Dance Veil is the Right Material and Weight for Yourself

Silk is infinitely preferable to any man-made fiber. Silk “floats” better, drapes better, and is more responsive. Katia teaches some wonderful moves for dancing with a silk veil in this Katia Silk Veil Dancing YouTube clip, based on her longer instructional DVD (see below). While sometimes silk chiffon can float beautifully, I prefer a heavier weight china silk – heavier than that used for linings. However, silk crepe is too heavy, and won’t give you the right “loft” in your moves.

Some dancers use rayon veils or polyester chiffon veils with lurex-stripes (mostly popular with beginning dancers). Aziza dances with a silk veil in Aziza’s veil dance YouTube clip. In this same clip, though, she also discusses rayon veils, as well as the issue of “trim” on your veil.

Some dancers prefer polyester – Petite Jamila (of Bellydance Superstars fame) works with two rather large and heavy half-circle polyester veils. But these are SO not for beginners! The simple weight of these makes for an upper-body and arms workout that would exhaust many weight-lifters.

See the link to Katia’s and Aziza’s instructional veil belly dance DVDs below; between these two, you can’t go wrong for good instructional basics, with some advanced techniques thrown in.

Two Good Veil Belly Dance DVDs

Katia and Aziza both have excellent introductory belly dance veil instructional DVDs.

 

DVD

DVD

 

Tip #3: Three-Point Control to Improve Your Veil Dance

When you take up your veil, and hold it behind you, you should “connect” with your veil at three points: in each hand (one point for each), and the back of your neck. That “back of the neck” connection is what gives you control. (This tip is courtesy of Anahid Sofian, who is one of the “great masters” of veil dancing.)

Tip #4: Learn How to “Frame Yourself” During Your Veil Dancing

Anahid Sofian, Master Teacher of Oriental Dance
Anahid Sofian, Master Teacher of Oriental Dance with impeccable veil technique and interesting veil choreographies

In the previous blog, I gave links to Two YouTube Veil Dance Resources featuring Anahid Sofian and her protégé Eva Cernik, who is now a master dance teacher and performer in her own right.

These two teachers, along with those given in this post, will give you a great sense of how to frame yourself when you hold your veil. For more hints, you can (again) read Chapter 4: “Every Woman Needs a Veil,” from Unveiling: The Inner Journey.

Tip #5: Put Enough “Oomph” Into Your “Dance of Veils”

Evalina Papazova - veil dance
Evalina Papazova in an exciting and dynamic veil dance

Veil dancing can be – and should behighly dynamic.

Evalina Papazova does some beautiful – and very dynamic and demanding – veil dancing in this YouTube clip.

Evalina’s dance is particularly interesting – she commands a large stage in a solo dance with a combination of veil spins and turns, coupled with good movement patterns across the floor. Her dance shows very well, even on a large stage – this is difficult even for experienced dancers!

Alay'nya with veil. Photo courtesy Crystal Barnes.
Alay’nya with veil. Photo courtesy Crystal Barnes.

Even if you’re new to veil belly dance, you can learn not only from online belly dance lessons and belly dance DVDs, but also from your own body.

From Unveiling: The Inner Journey, Chapter 4: “Playtime for Grown-Up Girls”:

“Now that you have your veil, play with it! First, find a “safe” time and a “safe” place. A safe time is when no one else is around. This time is for you … You need to get your feedback directly from yourself; from how your body feels, and what emotions you are feeling.” [p. 47, Unveiling: The Inner Journey]

Tip #6: Move Your Body When You Move Your Veil

Not many teachers include veil technique in their belly dance lessons. Even fewer teach students to use their whole bodies when they move their veils. All too often, dancers wind up using their arms alone.

Sira - dancer from New York
Sira, a belly dancer from NYC, demonstrates beautiful veil work.

Sira was featured in Anahid Sofian’s 2011 Atelier, showcasing some of NYC’s finest dancers. In this veil belly dance YouTube clip Sira’s beautiful vintage-style dance shows excellent and fluid veil work, including lots of spins and turns.

In this “vintage style” dance, I particularly like the hypnotic quality of Sira’s sustained spins; she demonstrates the important reminder that we need to stay with a technique long enough to give the audience the full impact of what we are doing – something that might seem “too long” for us will be just incredibly right for our audience!

Sira’s dance also included an equally hypnotic floorwork (taqsim) section, with exceptional hands and arms. It concluded with an exotic and exciting Za’ar (trance dance) finale; probably the best Za’ar that I’ve ever seen!


 
Jewel in the Heart of the Lotus
You are the Jewel in the Heart of the Lotus.
Become the Jewel!

You study and perform belly dance (Oriental dance) because it brings forth a special aspect of who you are – the full range of your emotional expressiveness; both the sensual and sacred aspects of your being.

Join me – get the latest on how to become the jewel (a fully expressive you) in the heart of the lotus (your life, and all that surrounds you)!






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Aziza
Aziza – showing beautiful veil dance technique!

Aziza is another dancer who has excellent veil techniques.

Aziza has a lovely veil DVD. However, you can learn good veil belly dance techniques online simply by studying Aziza’s veil dance YouTube clip.

The DVDs given earlier in this post provide good starting belly dance veil instruction. In future posts, I’ll provide my own YouTube links so that you can learn belly dance online, especially belly dance with veil.

Tip #7: The Power of Nuance – It’s All in the Wrist!

Kaeshi teaches belly dance veil technique online
Kaeshi helps you learn belly dance veil technique online in this YouTube clip

Study Kaeshi (of Bellydance Superstars fame). In this Online Veil Belly Dance Instruction YouTube with Kaeshi, you’ll see her demonstrate some very expressive and powerful veil techniques. Although it’s difficult to see her wrist action in this YouTube clip, you’ll find that you really need to work your wrists (and your whole body) to get the same effect when you practice veil dancing at home.

Kaeshi also has a performance YouTube clip, featuring beautiful veil dancing.

For “extra credit”: Study the vintage clip of Elena Lentini. Can you see how Elena has influenced Kaeshi’s style? One of fascinating study in learning belly dance online is to trace the influence of major dancers on some of today’s most well-known and rising stars! Kaeshi has been with Bellydance Superstars, and has a strong following in her own right. However, I’ve seen her for years in New York belly dance workshops with Elena Lentini and others, and have observed how she’s integrated important aspects of their styles and made them her own.


Many belly dance veil techniques require good wrist action – rotating your wrist and moving it in a “figure-eight” pattern – in order to control the far edge of your veil and to give it a good “swirl” in the air as it moves.

See Petite Jamilla’s DVD for good examples; her basic veil techniques often require good wrist work to be effective, so this is a good training DVD.

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Belly Dancing with Veil: Summary

Veil belly dancing requires more strength, stamina, fine-tuned coordination, and movement than does “regular” belly dance. However, as you develop your veil repertoire, you’ll gain confidence and exceptional stage presence, along with a much more expressive “artistic vocabulary” for your dance. This is a challenging study, but so worth the effort!


Alay'nya - author of "Unveiling: The Inner Journey"
Alay’nya – author of Unveiling: The Inner Journey

Very best wishes as you make your dances more dramatic, interesting, and exciting by including a veil!

Yours in dance –

Alay’nya
Author of Unveiling: The Inner Journey
You are the Jewel in the Heart of the Lotus. Become the Jewel!

Founder and Artistic Director, The Alay’nya Studio
Bellydance a courtesan would envy!

Check out Alay’nya’s YouTube Channel
Connect with Alay’nya on Facebook
Follow Unveiling: The Inner Journey on Facebook


From Morocco’s Amazon review of “Unveiling: The Inner Journey”: “Unveiling – the Inner Journey” by Alay’nya (Alianna J. Maren, PhD.) is an important book that I wish had been written much sooner. It’s not just for dancers, but a book that mothers and aunts should give to the young women in their families before they go forth to forge their own lives and one I recommend others read to determine how close they are to “getting it.”


P.S. – Have you read Morocco’s book, You Asked Aunt Rocky: Answers & Advice About Raqs Sharqi and Raqs Shaabi? Should be on every serious dancer’s bookshelf!

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Copyright (c) 2013, Alay’nya. All rights reserved.

Related Posts: Veil Dancing

Dancing with Your Veil – YouTube Resources

Veil Dances: YouTube Resources Featuring Acclaimed Dancers

As part of the Study Resources for the Spring: The Season of Air (Veils and Swords), this Post introduces some good YouTube clips that form great study resources for veil dancing, especially for “moving across the floor” and “creating veil patterns in space,” two of our Spring Season themes.

Anahid Sofian – Master of Veil Patterns, Spins, & Turns

Anahid Sofian, a master dancer, teacher, and choreographer in Oriental dance.
Anahid Sofian, a master dancer, teacher, and choreographer in Oriental dance.

Anahid Sofian – One of the world’s most renowned Master Teachers of Oriental dance. I reference her substantially in Unveiling: The Inner Journey. See her in:
Anahid Sofian – excerpts of veil movements.

This is a compilation of snippets from three of Anahid’s live performances.

The footage of Anahid in this short montage is assembled from three of her most widely-revered performances:

  • Theatre of Riverside Church Dance Festival NYC (1986); the music is a taxsim by the legendary oud player, Oudi Hrant, who lived in Istanbul and was considered the greatest oud player In the world; he is still revered today as a master musician,
  • Town Hall NYC (1999), with musicians Haig Manoukian, Souren Baronian, Harold Hagopian, Sabah Nissan, Lee Baronian, and
  • Town Hall NYC (2000), with musicians Elias Sarkar, Michael Hess, John Vartan, Emanuel Mann, Amir Naoum, Seido Salifoski.

You may wish to read Chapter 26: “Unveiling: Selective Revelation,” in Unveiling: The Inner Journey, describing how I learned a crucial veil secret from Anahid:

“In my dance, I had started the way many dancers start these days; holding my veil behind me, and using it to frame myself as I moved across the floor. There is nothing wrong with this. In fact, if the music is very active and dynamic, this can be a great dance opening! However (and this is important), this approach lacks the power of mystery and suggestion.

“In the dance that Anahid showed me, she started by staying in one place, with the veil wrapped around herself. She held the veil edges in such a way that her hands were covered. She held her hands high enough so that, with the veil wrapped around her from behind, it covered her face as well.

“Slowly, hypnotically, she moved her hands in an alternating, graceful up and down pattern. She managed this in such a way that I couldn’t get a glimpse of her face, or any part of her body. She was a mystery. Later, as she “unveiled” herself, she had total control over the timing, the pacing, the very selective revelation that she offered.” [Unveiling: The Inner Journey, pp. 359-360]

 

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Eva Cernik – Veil Patterns: Floats and Spins

Eva Cernik in trademark spinning veil. Photo from the <a href="http://bellydancedvds.blogspot.com/2011/11/turkish-belly-dance.html">Second (Annual) Awards of Belly Dance</a>.
Eva Cernik in trademark spinning veil. Photo from the Second (Annual) Awards of Belly Dance.

Eva Cernik – Eva, a protégé of the renowned Anahid Sofian, carries on Anahid’s tradition of exquisite veil dancing. See her in:

  • Eva Cernik with veil – in a 2008 performance in 2008 with Rachid Halihal – there is a little veil work at about 3 min, 30 secs, but the most interesting starts at about 5 minutes and continues to the end.

I love Eva’s veil dancing! Here are two more of her veil dance vids:

Eva is possibly one of the best to study for improvisational work with a veil – even if you have to work with VHS instead of DVD format. She works with single and double veils, and with regular rectangular as well as half-circle veils. Great study!


 

You are the Jewel in the Heart of the Lotus. <br>Become the Jewel!
You are the Jewel in the Heart of the Lotus.
Become the Jewel!

You study and perform belly dance (Oriental dance) because it brings forth a special aspect of who you are – the full range of your emotional expressiveness; both the sensual and sacred aspects of your being.

Join me – get the latest on how to become the jewel (a fully expressive you) in the heart of the lotus (your life, and all that surrounds you)!






Be the first to know about upcoming events, valuable online tips and training guides, and all that will help you create yourself as the jewel in the heart of the lotus!

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Alay'nya - author of "Unveiling: The Inner Journey"
Alay’nya – author of "Unveiling: The Inner Journey"

Alay’nya – author of "Unveiling: The Inner Journey"

Alay’nya – author of "Unveiling: The Inner Journey"

Very best wishes as you make your dances more dramatic, interesting, and exciting by including a veil!

Yours in dance –

Alay’nya
Author of Unveiling: The Inner Journey
You are the Jewel in the Heart of the Lotus. Become the Jewel!

Founder and Artistic Director, The Alay’nya Studio
Bellydance a courtesan would envy!

Check out Alay’nya’s YouTube Channel
Connect with Alay’nya on Facebook
Follow Unveiling: The Inner Journey on Facebook


Nizana el Rassan, reviewing Unveiling: The Inner Journey for iShimmy.com:

“serious and yet fascinating material … a culmination of all disciplines wise and helpful all in one place, with belly dance woven throughout … Unveiling is a fascinating read with so much wisdom and solid advice, and it’s all about improving balance in your life in a well rounded way.” – iShimmy.com.

Copyright (c) 2013, Alay’nya. All rights reserved.

Related Posts: Veil Dancing

Spring – the “Season of Air” (and Veils, Turns, Spins, and Swords)

Spring – the Season of Air (and Veils, Turns, Spins, and Swords)

Metaphysically, the Season of Spring is associated with the “element” of Air.

In fact, the “seasonal correspondences” are:

  • Winter – “Sign” of Pentacles, “Element” of Earth
  • Spring – “Sign” of Swords, “Element” of Air
  • Summer – “Sign” of Rods, “Element” of Fire
  • Autumn – “Sign” of Cups, “Element” of Water

In our Studio, we connect our dance practice (on all levels; physical, emotional, mental, energetic, and spiritual) to the various Seasons. This simply makes it simpler and easier for us to organize our focus.

Thus, during Spring, we turn our attention to topics relating to the “sign” of Swords, and the “element” of Air.

Naturally, this means that Spring is our favored time for veil dances, especially those involving movement across the floor – as if we were propelled by a strong March wind! We do “air-like” movements such as:

  • Movements across the Floor – various steps and movement patterns,
  • Veil Patterns in Space – learn a rich variety of “veil patterns,” particularly those that flow as we move,
  • Spins and Turns – study a wide range of spinning and turning techniques, and learn how to fit them both into “static” (in-place) choreographies as well as how they give structure and interest to “movements across the floor,” and
  • Transitions – how to go from static to moving, and vice versa. Lots of wonderful little insights and skills here!
  • In addition, of course, we also use Spring as the time for studying swords; both the practical movements (and choreographies) involving sword dances, and the psychological components – especially how to create tension and drama.

    Posts during this Season of Air will include:

    • Music Resources – favorites for moving across the floor, with match-ups between music selections (and specific sections within the music) and suggested techniques/movements,
    • Technique Resources -technique notes together with links to the best YouTube links that we can find, illustrating specific kinds of spins, turns, and “movements across the floor”, along with veil and sword techniques, and
    • Dance Resources – both DVDs and YouTube links,

     
    Jewel in the Heart of the Lotus
    You are the Jewel in the Heart of the Lotus.
    Become the Jewel!

    You study and perform belly dance (Oriental dance) because it brings forth a special aspect of who you are – the full range of your emotional expressiveness; both the sensual and sacred aspects of your being.

    Join me – get the latest on how to become the jewel (a fully expressive you) in the heart of the lotus (your life, and all that surrounds you)!






    Be the first to know about upcoming events, valuable online tips and training guides, and all that will help you create yourself as the jewel in the heart of the lotus!

    We respect your email privacy

    Powered by AWeber Email Marketing Services



    Do you have a suggestion? Email us. Send us your best recommendations for music, DVDs, and YouTubes to: alaynya (at) alaynya (dot) com. Those whose recommendations are adopted will get back-links to their own websites!


    Alay'nya - author of "Unveiling: The Inner Journey"
    Alay’nya – author of Unveiling: The Inner Journey

    Very best wishes as you make your dances more sensual, interesting, and exciting by including a veil!

    Yours in dance –

    Alay’nya
    Author of Unveiling: The Inner Journey
    You are the Jewel in the Heart of the Lotus. Become the Jewel!

    Founder and Artistic Director, The Alay’nya Studio
    Bellydance a courtesan would envy!

    Check out Alay’nya’s YouTube Channel
    Connect with Alay’nya on Facebook
    Follow Unveiling: The Inner Journey on Facebook


    “Alay’nya brings divine sensuality to women in the ancient forum of dance. This book is delightful.” – Dr. Christiane Northrup, New York Times best-selling author of Women’s Bodies, Women’s Wisdom and The Wisdom of Menopause.

    Copyright (c) 2013, Alay’nya. All rights reserved.

    Related Posts: Veil Dancing

I’ll Admit – I Cheated!

Cheating Our Way to Spring Body Fitness

I was down in the Diva Den (the dance studio+classroom+raw-foods kitchen) just now. After two days of being focused on the big Pathways event, and two follow-up R&R days, it was time to get back to the “spring body fitness regime.”

So I was downstairs early – perhaps 15 minutes early. I usually do my yoga/core/resistance/etc. while watching “Big Cats.” Nothing like having feline power and grace as inspiration, right?

Northern Chinese Leopard - photo courtesy Dan Wu

Northern Chinese Leopard – photo courtesy Dan Wei

This time, though, there were 15 minutes extra before the show started.

I scrolled through the options. Nothing interesting — but then there was the “Dancer Body” infomercial with something called the “Fluidity Bar.”

Now, I LOVE these fitness infomercials! From Zumba(TM) to “Insanity” to everything else, up to and including the “Fluidity.” I feel as though I can simply do what they’re doing in the infomercial, and get about the same benefit as having the DVD (and for zero cost).

This “Fluidity Bar” thing is one of my favs, though. And really, all that it is – is a portable, single-person-sized ballet barre. I mean, REALLY.

And do you know what?

Most of those “Fluidity” exercises? They can be done using the back of a chair for balance. No “ballet barre” (or “Fluidity Bar”) needed!

The back of a chair makes a good "ballet barre."

The back of a chair makes a good “ballet barre.”

So yeah, I cheated.

I got almost a complete “Fluidity” workout using the back of a thrift-store chair as my “barre.” No whipping out a credit card. (That’s one exercise I was happy to skip!)

And since I have a set of those chairs – and this really did feel effective and fun – I’m going to incorporate “barre” (“chair back”) exercises into our stretch/warm-up/technique-building routines. Starting with the Open House the Sunday after this one, Sunday, April 7th!


Alay'nya - author of "Unveiling: The Inner Journey"
Alay’nya – author of Unveiling: The Inner Journey

Very best wishes as you use Oriental dance (belly dance) as part of your own “spring training”!

Yours in dance –

Alay’nya
Author of Unveiling: The Inner Journey
You are the Jewel in the Heart of the Lotus. Become the Jewel!

Founder and Artistic Director, The Alay’nya Studio
Bellydance a courtesan would envy!

Check out Alay’nya’s YouTube Channel
Connect with Alay’nya on Facebook
Follow Unveiling: The Inner Journey on Facebook


The Most Luscious, Nurturing, Feel-Good Thing You Can Do

The Most Luscious, Nurturing, Feel-Good Thing You Can Do in Bed, On Your Own

And I’m not even talking sex. (Well maybe. Just a little bit. Later.)

What is the one thing that you can do on your own, in bed, that sends a totally relaxing and soothing feeling up your spine?

It’s the same thing that I wrote about a few days ago, leaving you with a bit of a “cliff-hanger.”

Because, as I asserted in my last post, many of you already know this!

The real surprise is, many of you already know this – and you might even be new to Oriental dance!

Believe me, I am more than surprised. I am amazed. I am totally blown away.

When I learned this “little secret” – many years ago, as I was writing Unveiling: The Inner Journey – it was news to me.

Our belly dance "Figure 8" ("Figure Eight")  movement mirrors the infinity sign, and also traces a subtle internal movement at the base of our spine.
Our belly dance “Figure 8” (“Figure Eight”) movement mirrors the infinity sign. Infinity sign coded by Charles Petzold

The really important thing about what she shared?

It’s that the insight didn’t come from a member of the Oriental dance community. It came from someone who was skilled in the mind/body healing arts. (Diane now does something called HeartMath.) My students who already knew about this movement were practitioners of Reiki, yoga, deep tissue massage, and related areas.

So what is this one thing?

It’s the movement that we dancers call the “Figure 8,” done with our hips.

Our “Figure 8” (“Figure Eight”) movement in Oriental dance (belly dance) mirrors the infinity sign, and also traces a subtle internal movement at the base of our spine. The person who “clued me in” on this movement was Diane Richardson, whom I mentioned several times in Chapters 14 – 16.

I’ve looked at a number of YouTube vids purporting to teach the (vertical) Figure 8, and have only found one so far that is trustworthy – click here to see a Figure 8 tutorial. Just watching this dancer, you’ll see how the Figure 8 activates – actually massages – the sacral area. Beautiful!

(Be careful if you’re looking at various online clips; some focus on a horizontal Figure 8; that’s nice, but not what we’re discussing here. Others show a Figure 8 that starts “top to bottom”; this is sometimes called a Maya. And surprisingly, just changing the direction of how the movement is initiated makes a huge difference. For best energetic benefits, do the “classic Figure 8” – start going down-and-out, then up. And no matter what anyone tells you, try to keep your feet on the floor!)

Enough of the technical hints. The real question is: Why is this movement so important? Why is it more than just one of the many basic “belly dance techniques”?

The answer – as I shared in Unveiling: The Inner Journey – is:

She [Diane] pointed out that Oriental dance is built on a natural undulating and flowing movement that connects our entire spine, from our cranial vertebrae down to our sacrum. In addition, she helped me to sense a very subtle and naturally-embedded “figure eight” motion at the base of my spine. … All that we are doing, as we dance, is to tap into these innate, natural rhythms, and magnify them into a dance. (pp. 410-411)

So, the Figure 8 movement in Oriental dance:

  • Taps into a subtle, naturally-occuring rhythm in our sacral area,
  • Activates the physical and energetic components, and
  • Induces a sort of “energy wave” that travels up our spines towards our heads; essentially initiating a form of cranio-sacral massage.

To the best of my knowledge, doing a physically-correct Figure 8 movement is entirely safe, given that a person has no physical or neurological conditions that would make this movement difficult. (If the reader has any doubt or questions, he or she is advised to consult a medical professional first.) Also, to the best of my knowledge, while well-done Figure 8’s gently encourage both cranio-sacral release and (somehow) produce a “feel-good” effect, I don’t believe that this movement alone will cause release of kundalini energy. As a reference, in yogic teachings, the kundalini energy is stored as a “coiled serpent” at the base of our spine. When we do the Figure 8, we are gently activating life-force energy, but I don’t believe we’ll have any danger of arousing kundalini.

The Figure 8 does, at least in my experience, seem to relate to an overall group of intrinsic motions from the cranium down to the sacral area. Healing professionals are learning to sense and work with these rhythms in a healing modality called cranio-sacral therapy. I have personally experienced cranio-sacral therapy treatments, and found them safe, gentle, peaceful, and healing.

I like to do Figure 8’s in bed, because then gravity is not working on my sacral area. It is freer to move. And because this movement is gentle and relaxing, it will sometimes help me sleep easier and more restfully. And the relation to sex? Well, if we release our sacro-iliac area, and in fact mobilize our entire pelvic region (and Oriental dance movements help us with just that), then we are much more likely to have pleasure, right?

The Most Amazing Thing …

The Most Amazing Thing Is That – You Already Know This!

It happened during the second-to-last class of autumn. I was giving a “preview of coming attractions” – going over the “hot topics” for the winter quarter to come.

http://naturalplane.blogspot.coWhat is "esoteric belly dance"?
What is “esoteric”? And what is “esoteric belly dance”?

I took a deep breath, and launched into what I thought would be the most oddball, obscure, and yet most fundamental part of our next studies.

I felt pretty scared with this topic.

It’s one of those that makes “esoteric belly dance” – well – esoteric.

Mentally, I braced myself for resistance.
 

You (that is, the new group of students – and also those of you reading this) have borne up cheerfully – and even enthusiastically – as I’ve introduced a range of topics that you (students and readers collectively) often refer to as the “woo-woo stuff.”

That’s right. By many other standards, esoteric means the “woo-woo stuff.” And you’ve been cheerful and enthusiastic in not only trying this out, but in using that term.

This time, I thought, I’d lose you forever.

But as I launched into my description, my jaw dropped. I saw you nodding your heads in agreement. (This time, “you” being the students who were actually in the class that day – and perhaps even you as a reader.)

Over half of you were saying, essentially, “Oh yes, we know this already.”

What?

One of the weirdest, most unusual, most “woo-woo” parts of the curriculum, and it’s already common knowledge?

I just couldn’t believe.

But it made sense.

In the class, we had a massage therapist whose interests and background included energy work. We had a Reiki practitioner. We had a few whose interests in yoga, meditation, and related areas were almost life-long.

Most of you already understood one of the most powerful principles for pathworking, or for bringing your energy work into your physical practice.

Jedi for Women

Over the years, as our curriculum shifted from classical, mainstream Oriental dance to … well, Oriental dance plus something … I’ve tried to express who and what we were in different ways. One that made the most sense was, simply, Jedi for women.

Imagine that you are Obi-Wan Kenobi, but a young Obi-wan. You’re not yet the Jedi Master. In fact, you’re not yet even a Jedi knight. You’re a young man who hopes to one day become a Jedi knight.

Hermione Granger, from the "Harry Potter" book and movie series.
Hermione Granger, from the “Harry Potter” book and movie series.

Or imagine that you’re Hermione, and more than anything, you want to go off to a school that teaches you to use the powers that you know that you have – but simply haven’t ever been able to bring together.

Or that you’re an young woman in pre-Arthurian times, stepping into the boat that will take you through the mists to Avalon, where you hope to learn the fabled priestess arts.

You’ve Already Been There, and You Already Know This

Now, let’s take this one step deeper.

Imagine that not only you are some fictional character, setting out to learn and master some arcane arts that will require years of complete devotion and dedication – but that at one point, in one of your many lifetimes, you were such a person.

Imagine that at one time, you not only knew these things, but had mastered them.

You were, at one point, a Jedi Master. You were a grown-up, fully powerful Hermione. You were a Priestess of Avalon.

And now, in this lifetime, you’re simply trying to bring it all together.

And thus, you gravitate towards energy practices, such as yoga. Or perhaps you’ve already studied energetic healing arts, such as Reiki. Or you’ve followed a tradition of ritual, and opened up your sensitivities in that area.

Somehow or other, in your various wanderings, you’ve already picked up enough so that when the new information is presented to you, it’s not new anymore.

It’s already part of your known and familiar.

Make sense?

Of course. And for a very good reason.

An “Integration Lifetime” – Or Why It Seems So Tough and Complicated

Many of us are experiencing an integration lifetime. We’re pulling together all that we’ve learned before, and we’re making the breakthroughs that we were reaching towards earlier, but possibly didn’t make in our previous lives.

That’s why this lifetime, for so many of us, is so complex, demanding, and challenging. We’re “wrapping up” a lot of things all at once, while reviewing all that we’ve learned before, and making major breakthroughs that we almost – but didn’t quite – complete in our earlier lives.

Sound exhausting?

It’s kind of like taking organic chemistry during the summer. (Difficult under the best of circumstances.) And then, while doing that, taking a “survey course” covering a few thousand years of humanities. And then doing an extra-credit project under the direction of a Nobel Laureate researcher.

Which would explain why our lives are so full, so complex, and so challenging.

We’re not just making headway in one area, we’re doing a lot of things, all at once.

And the Answer Is …

But what is this one thing – one of the three “cornerstones” of esoteric dance – that many of you know already?

Read the details in the next blog. (Yes, I promise to be forthcoming. And I’ll put the link here as soon as I publish the next blog.)

Or, if you simply can’t wait, pick up your copy of Unveiling: The Inner Journey, and read the paragraph at the bottom of page 410. (Yes, this is smack in the middle of Chapter 29, “Pragmatic Esoterics,” or – as we now call it, the “woo-woo stuff.”)

Here’s to your health and well-being – and to your overflowing personal energy and abundance in 2013 and beyond!

Much love – Alay’nya

P.S. Do you have a desire to be a “Jedi Master” in your own life? Do you desire bringing all of who you are – energetically as well as physically, and emotionally as well as intellectually – into one art? Do you desire your own pathworking?

Join me. Click here, scroll to the lower left on the page, and join the Unveiling community for quarterly (and sometimes more frequent) communications. This is reserved for people like you – people who want to infuse their practice with the energetic aspects, and use their dance art as a pathway for healing, wholeness, integration, and mastery.

Very best wishes to you make your dances more fluid and expressive as you add “water play” to your practice!

Yours in dance –

Alay’nya
Author of Unveiling: The Inner Journey

You are the Jewel in the Heart of the Lotus. Become the Jewel!

From Dr. Nicole Cutts’ Amazon review of “Unveiling: The Inner Journey”: “I love, love, love this book! It is like the g*ddess mother, mentor I never had and always needed. Finally a book that just tells it like it is for women. It is well written, intelligent and enlightening. For any woman who wants to live a life of adventure,joy and love. It is rich with so much wisdom and grounded in thorough research, which I love! I can’t say enough about it. All I can say is read it if you are looking for something new to take you to the next level of womanhood.”

 

Paper

Kindle

 


Nicole Cutts, Ph.D., with Alay'nya, at the first private signing of "Unveiling: The Inner Journey"
Nicole Cutts, Ph.D., with Alay’nya, at the first private signing of “Unveiling: The Inner Journey”

P.S. – Are you seeking to revamp and rev up your life? Do you have goals, desires, dreams that seem almost within your reach?

Nicole Cutts, Ph.D., Success Coach and Founder of Vision Quest Retreats, can help you map the strategic plan to achieve your dreams.


Copyright (c) 2013, Alay’nya. All rights reserved.

Related Posts: Water Dancing and Emotional Release Through Belly Dance

Beginner’s Class in Belly Dance Review Notes: Classes 1-4, Music Review

Alay’nya Studio Beginner’s Belly Dance Class: Review Notes for First Four Classes, Autumn Quarter, 2012, Part 1: Music Review

Although I’ve posted extensively about the esoteric belly dance component and the energy-building practices (ch’i cultivation), our Beginner’s classes in Oriental dance (belly dance) have recently focused on:

  • Music rhythms for Oriental dance,
  • Music structure analysis, including in-class work and take-home exercises to identify and analyze, and
  • Matching dance movements to the music.

Mideast Music Rhythms Used in First Four Classes

Music rhythms for Oriental dance include:

  • Beledi, an Upper-Egypt (southern Egyptian) rhythm, used in up to 80% of common “belly dance music,”
  • Sai’idi, a “reverse beledi,”and
  • Chifti telli, a Turkish rhythm.

Music Structure Analysis

Music structure analysis, including in-class work and take-home exercises to identify and analyze:

  • Musical measures: the basic “counting unit” (typically an 8-count),
  • Musical motifs: an identifiable musical phrase or set of phrases – a “building block” for that piece of music,
  • Pace and timing: overall fast, slow, or moderate?, and time (in seconds) for each motif,
  • Taxims: literally, an improvisational solo, typically with the Mideast instruments of a ney (flute-like instrument), kanoon (string instrument), or dumbek (drum), and
  • Transitions: most important in choreographing a good dance.

Matching Dance Moves to the Music

Matching dance moves to the music includes strategies and micro-choreography units for structured (motif), unstructured (taxim), and transition units:

  • Structured musical motifs: typically repeat two to four times, and the choreography for each “set” of motif repetitions should have some logical consistency; a common approach is to do a set of movements to one side, and then transition and do the same set to the other side (mirror image),
  • Unstructured phrase-based musical interludes, in taxims: at first, developing a dance interpretation to taxims seems unusual to Western ears, but as we learn to match our breathing to the musical phrases, a set of expressive movements can naturally emerge,
  • Transitions: these can take us from one motif to another, from structured (motif-based) music to unstructured and vice versa, and overall are essential to skilled dance; we’re developing numerous strategies.

By now, students should have their first CDs of music for at-home practice, various worksheets to play with for their own “music interpretation” studies, and other worksheets detailing music structure and/or choreography notes.