Morocco’s "You Asked Aunt Rocky" – Fascinating Read, Significant Contribution!

Morocco’s You Asked Aunt Rocky – A Major Contribution to Dance Ethnography!

Morocco’s You Asked Aunt Rocky – the culmination of years of study, travel, practice, ad writing – has just been released via Lulu. I’ve just submitted a review article to The Belly Dance Chronicles, for their April/May/June issue, and also published a five-star review on Lulu.com, where it already has three other five-star reviews.

Currently, you can order You Asked Aunt Rocky directly from Lulu.com, and it will be available from Amazon.com by March.

In the Shallow Waters – The "Real" Origins of Oriental Dance!

We Learned to Dance as We Learned to Swim: The Real Origins of Oriental Dance

At the end of this month, Delilah will be hosting her famous wintertime dance retreat in Hawai’i. What a perfect escape from the mid-winter blues and blahs!

There’s a special reason to join Delilah this year. In fact, there are TWO special reasons.

First, she’s actually holding two back-to-back retreats. The first, from Jan 29th thru Feb. 3rd, features Special Guest Teacher Fahtiem, and gives participants to learn Fahtiem’s exquisitely beautiful style. The second, from Feb. 4th through Feb. 9th, features Special Guest Teacher Jennifer Earle, and introduces the womenly self-defense art of Nia. What a fabulous way to combine both strength and beauty! And in the most luscious setting possible.

There’s a second – really important – reason to get to one of Delilah’s Hawai’i retreats. She actually gets her dancers out into the water! And there’s something special – something almost magical – that happens when we do Oriental dance (belly dance) in the water. Our bodies return to – they viscerally re-member – how it is that our art came about.

While much can be said of how Oriental dance grew out of ancient folk dances from the Mid-East, and there can even be a claim for dances in earliest recorded human times, I’d like to suggest that we – as humans – learned to dance even earlier. Our dance is a natural response to spending time in the water.

In her groundbreaking book, The Descent of Women, author Elaine Morgan makes the significant claim that humans evolved through a series of two major progressions; one where we went into the water (in the heat of the Pliocene era. Essentially, she says, we “went to the beach.” We spent a lot of time out in tidal bays and lagoons. In these soft, gentle, shallow water, we withstood the Pliocene heat waves.

Now, I’m going to suggest – based on my personal research in “unveiling” movement patterns intrinsic to our bodies – that our art form began when we were in the water, and our bodies naturally adapted to the gentle pull of tides and waves. When we went ashore in the evening, and built campfires, some of us made music on drums and other simple instruments. Others of us – danced! We did, on smooth beaches around a driftwood campfire, what our bodies had done all day in the water. We did undulations, figure eights, and snake arms.

And that, dear friends, is what I believe to be the true story of the origins of the dance. Various “courtship gestures” became incorporated later. We evolved other patterns as well. But the fundamentals? The ones that are deeply ingrained in our bodies – so that we really only have to remember them? They come from our origin as a species. From a time when we went to the beach, played in the water during the day, and danced on the beach in the evenings.

I’ve always wanted to recreate this experience, and last summer I had the chance – my dear friend Nicole Cutts, Founder of Vision Quest Retreats for women – invited me to teach a private group. We did “belly dance” in the pool! You can see the YouTube link on her Facebook page.

Some Insights from Elaine Morgan’s Descent of Woman

The following are a few selected quotes from the Descent of Woman. I heartily recommend that you get the book and enjoy the read! It had a profound impact on me when it first came out in the 1970’s, and will probably influence how you think also!

Long long ago, then, back in the mild Miocene, there was a generalized vegetarian prehomind hairy ape. She had not yet developed the high-powered brain which today distinguishes woman from all other species. (p. 16)
[Alay’nya’s note: The Pliocene heat wave started, drying up the woods in which we had lived. Pre-humans were forced into grasslands.]
She also couldn’t digest grass; she also had a greedy and hectoring mate; she also lacked fighting canines; she also was hampered by a clinging infant; and she also was chased by a carnivore and found there was no tree she could run up to escape. However, in front of her there was a large sheet of water. With piercing squeals of terror she ran straight into the sea. The carnivore was a species of cat and didn’t like wetting his feet; and moreover, though he had twice her body weight, she was accustomed like most tree-dwellers to adopting an upright posture, even though she used four legs for locomotion. She was thus able to go farther into the water than he could without drowning. She went right in up to her neck and waited there clutching her baby until the cat got fed up with waiting and went back to the grasslands. (pp. 20-21)

She switched easily, almost without noticing it, from eating small scuttling insects to eating small scuttling shrimps and baby crabs. There were thousands of seabirds nesting on the cliffs, and as she had a firm handgrip and a good head for heights she filled another empty ecological niche as an egg collector. (p. 21)

Whenever anything alarming happened on the landward side – or sometimes just because it was getting so hot – she would go back into the water, up to her waist, or even up to her neck.” (pp. 21-22)

She spent so much time in the water that her fur became nothing but a nuisance to her. (p. 23) (Alay’nya’s note: As a result, she lost her body fur and kept the long fur on her head – which grew even longer, so her infant could grab it and get back to Mommy.)

In short, we evolved. We went from tree-dwellers to grassland-dwellers to beach-dwellers. And we stayed on the beaches for a long, long time. In the water – in the safe, calm waters of gentle bays and lagoons – we became human. We learned to walk upright. We developed a new set of facial gestures and expressions. We learned to use speech. (Sound carries very well over water – even when sunlight is glinting off the waves and it is difficult to see someone who is further away.)

And guess what? It was most likely within this soft, gentle, safe environment that we developed the fine art of belly dance.

Our bodies swayed with the seaweed when we were in the water. We naturally – and instinctively – developed our “undulations.”

Our hands and arms rested naturally and gracefully on the water’s surface. And we naturally – and instinctively – developed our “snake arms.”

And then, when the sun went down, and we went ashore, and made fires from driftwood and cooked the shellfish and eggs that we’d collected during the day, we danced around the fire. Simply because it was fun, and we had nothing else to do. We did it to play!

The end effect? Our human intelligence, our playfulness, and our happiness are all tied up with that wonderful time in our evolutionary history when we all collectively took a beach vacation. A “vacation” that lasted several million years.

This year – let’s take a beach vacation again, and join Delilah with guest teachers Fahtiem (Jan 29 – Feb 3rd) and Jennifer Earle (Feb 4th – 9th). Visit Sign up today!

Priming Our "Fountain of Youth" – Raw Foods in Winter

Cranberry Salad (A Wintertime Raw Food Energy Stimulator)

Winter is a time for meditation and reflection. Certainly, our bodies become quieter. Our need for sleep is natural at this time of year. But as we turn inwards, we need to cultivate a balance. We need a certain amount of liveliness in our bodies, even during this quieter time.

We know that raw fruits and veggies are good for us. Sometimes, though, a piece of raw food is not the first thing that crosses our mind when we want winter foods.

The trick is to work with raw food recipes that give us all the nutrients that we need, and which also feel satisfying.

Recently, I had some evening quiet time, after spending the day cleaning along with the Pick-Up-and-Put-Away (PUPA) steps so necessary to bring order, harmony, beauty and joy to life. At the end, I was bushed. Fortunately, I had quiet time alone, and so I petted my cats, gave them some treats, and sat down to watch TV with a chopping board on my lap and my favorite veggies-cutting knife in hand. I made the following recipe for a holiday cranberry salad – all raw – and very eatable on its own. And just super-full of healthy vitamins and such!

Alay’nya’s Christmas Cranberry Salad – Maximal Healthy Winter Raw Foods!

1 bag of fresh cranberries, washed. (You might do this with half the bag, save the rest to wash and use later.) As you go along, feeling through them, toss out the ones that are soft. Cut the ones that are firm – first into halves, then again into quarters. (If you have a food processor, you might do a very loose and light chop. But if you don’t, or just want to have something to do with your hands while watching TV, then hand-chop.)
Oranges or clementines – For every cup of cranberries, you’ll want between ½ cup to a full cup of freshly cut orange slices. Just peel the oranges, pull apart the segments, then chop these into smaller pieces. Guestimate proportions; you don’t need to be exact. For a half-bag of cranberries, this could be two large navel oranges, or 3 or 4 smaller ones. You can use clementines if those are what you have at hand.
Celery – about two large, fresh sticks – choose from the inner part of the celery heart where the celery is sweetest. Cut off any green leaves (use to put in your raw foods juicer, a stew or soup or stuffing). Cut the celery into small pieces. All these fruit & veggie pieces should be about the same size.
Walnuts – about a half-cup. Cut into small pieces.
Mix the chopped fruits, celery, & nuts in a large bowl. This is a lovely give-away present to health-conscious friends and family. You can eat this by the forkful as a snack.

This will last for a bit in the fridge, but should be eaten within 4-5 days. It’s a great way to get a fabulous salad made while watching a bit of evening TV!

Remember the food-combining rules: Eat “like with like.” So it’s actually best NOT to put this raw fruit-based salad with other foods. Instead, eat it early in the day as a snack before other meals.

Remember also – your stomach uses different levels of pH and enzymes to digest different kinds of food. It digests protein differently from starches. So if you have a meal of meat, fish, or eggs, try to NOT have your starches (potatoes, rice, breads, etc.) at the same time – although you can eat as many veggies (cooked and/or raw) with your protein as you like. So choose whether you’re having a “protein-based” or “carbs/starches-based” meal.

And up your consumption of “healthy oils” during the winter – they help soften your skin, and they transport the fat-based vitamins throughout your body. Avocado is good. Make your own salad dressings with high-quality olive oil and/or grapeseed oil, with a nice balsamic vinegar or a splash of lime. Add some flaxseed oil as well. (Omega-3’s and other healthy things.)

Here’s to your health, wellness, and overall well-being – as we bring the year to a close, and look forward to the year ahead!

Using Breathing to Heal

Breathing, Belly Dance, and Breakthroughs – Part II

A week ago, I was enjoying a fabulous breakthrough. Something had shifted for me emotionally. (Still am not sure what.) My body released, some tension patterns had all but disappeared, I was happy, joyful, and confident. What’s more, my energy surged. On Sunday of a week ago, I could barely get through the day, no matter how much B12 and ginseng I took in. The next day, all but forgetting about supplements, I breezed through the day and worked hard into the late evening, enjoying every moment.

And I had three more days just like that.

Until, Thursday evening, I felt this funny little warning “hotness” in my throat. I knew instinctively what it was, and recognized that my body was craving Vitamin C. I still went out to a meeting that night.

The next morning, my throat was red, raw, and painful. There was no longer any doubt or question. Whether strep throat or simply one of the worst colds of my life, it had landed!

So I stayed (more or less) calm throughout the weekend. I pulled back from all human contact, and let friends know that I wouldn’t be at some events – even those which we’d been anticipating for months. I even minimized phone time.

By Sunday, my energy was low, and I spent most of the day in bed, alternating naps with listening to a book on CD.

So what caused this magnificent “fall from grace”? Was the breakthrough not real? (Well, actually, yes it was. I knew that the tension release, the freedom in movement, and the increased energy were all very real.)

What happened was simply a big “word from the Universe” that it was time to settle down. I had taken on too much. (Have STILL taken on too much.) I was behind on almost every promised task.

Setbacks such as these – whether flu or colds, or something more serious – are often the way that our Higher Self pulls us out of our nearly compulsive “to-do” list – where our entire cognitive focus, our identify, and most certainly our attention and time – are wrapped up in our “things to do.”

So I’m doing all the expected and appropriate things. Fluids. Lots of rest. Vitamin C. More rest. Chicken soup. (And more rest.)

In short order, I’ll find my paperwork, and go see a doctor. And I’ll probably get a round of antibiotics. But healing doesn’t come from the anti-biotics, per se. (Not saying that they can’t be of great help.) Rather, the healing has to come from a shift from within, and it is to this that I’m giving my attention.

And oh yes – using “breathing to heal”? Yes, I’m doing that as well. Consciously circulating energy. Reaching out with my awareness, and catching little “energy waves”; bringing them in and moving this energy around my body. Doing the Silk-Weaving Exercises (a form of Chinese breathing and exercising exercises.

Breathing, Breakthroughs, and Belly Dance

Emotional Breakthroughs Show in Our Breathing, Body Movement, and Dance

Just yesterday, I had a breakthrough.

Now my life consists of “breakthroughs.” I have them intellectually. (This is what gives me ideas for everything from blogposts to patents. There are several “breakthroughs” in Unveiling alone.) And I’m used to having physical breakthroughs as well; these have made me an effective dancer.

But yesterday something happened that was a bit unexpected, and I want to share it with you while the memory is fresh.

For the previous few months – post-Unveiling-publication – I’d been having a lot of fatigue. Through being kind and gentle with myself, through rest and (not-too-strenuous) exercise, through better diet and supplements, I was slowly getting better. But this improvement was wobbly, and after almost three months, I still wasn’t back to full strength and power. In fact, just the day-before-yesterday, I’d had one of those days in which all the supplements in the world – all the vitamin B-12 and ginseng – were getting me off the launch pad but not quite into stable orbit.

And then, yesterday, several little things happened. I can’t quite put my finger on any single one. But somehow, in the midst of all these “little things” – a real breakthrough occured.

The “little things”? Working my daily exercise with the Course in Miracles, which I started about two months ago. (If there is anything that is life-changing, this is it. And I was in huge resistance about one of those exercises, but somehow, wound up adopting the premise that it offered – that may have been a “pivot point.”)

The “pivot point” may have been when Nimeera, another dancer with whom I met the day before, looked at me and said, “Breathe.” (I didn’t even know that I was holding my breath.)

It may have been waking up, realizing that I was holding tension in one of my favorite tension-holding places in my back, and then starting to use undulations to release that tension, and also releasing the “emotional issue” that I felt was linked to the tension spot.

It could have been any of these; all of them, or none. What I do know is that somehow, sometime, yesterday I began to move again.

Now don’t get me wrong. I’d been “moving” all these past few months. A fair bit of the daily yoga and core, stretch and resistance training. Renewed long walks. And lots and lots of housecleaning and other chores.

But I hadn’t been doing much dance.

I’d attributed this to having put all my energy into the Unveiling-publication.

But there was something else, a sadness that had been a part of my life over the last three years. And somehow, it released, and my body began to naturally do the “belly dance movements” once again.

That’s right, I started naturally and spontaneously moving – the undulations, the figure-eights (of all sorts). The stretches, the neck movements, everything.

And I realized, once again, that the beauty of Oriental dance as a body art (in comparision with other, equally good and very valid body arts such as yoga and T’ai Chi), is that the range of movements that it gives us are fabulously superb for releasing emotional tension. They are the best movements for real body/mind/psyche integration.

That’s because an Oriental dance technique, such as an undulation, corresponds to releasing tension up and down our spine. When we release emotional tension, we can release the physical. And vice versa.

So if we have even a glimmering of how the two are connected – some attention and awareness of how our bodies and our “emotional selves” work together – then when we get the slightest little release in one area, we can use the dance techniques to help us release just a little more. We use our body/mind/psyche integration pathway to leverage this release.

So, for example, a little emotional release – leads to an undulation. An undulation leads to a figure-eight. A figure-eight leads to paying attention to what we have “stuck” in our lower backs and pelvic area. And then we bring our attention to the emotional aspect, process it, and get a bit more release again physically.

And this is why I love this dance form so much!

P.S. I write about this in Chapters 14-16 of Unveiling: The Inner Journey. And in those chapters, I credit Diane Richardson, who is a Co-Founder of Relational Energetics (see http://www.relationalenergetics.com). I also suggest chiropractic and massage, and other healing modalities – Reiki is good, as are others.

How to Use the "Fountain of Youth"

The “Fountain of Youth” – The Beauty Secret That Costs Nothing (and Makes Us Look Years Younger)!

Would you like to get out of bed looking ten years younger? What if something made you look even better than having a good night’s sleep, or a rousing round of early morning sex? Both sleep and sex are good; no question. But what if there was one more thing that would increase your beauty, your vigor, your vital energy, your zest, and your overall confidence and sex appeal? What if there was a single, ultimate, “anti-aging secret”?

And what if this anti-aging secret cost nothing but time?

It’s just because this “costs nothing more than time” that you don’t see articles about this in the major women’s magazines.

We all know that today, more than ever, beauty is “big business.” We know that “Baby Boomer women” in North America make up the world’s demographic with the greatest disposable income. Manufacturers and marketers know this, also. That’s why TV shows and women’s magazines are a vehicle for advertising all manner of skin care, hair care, and beauty products. They also promote services – ranging from cosmetics customization to cosmetic surgery.

All of these are good. I have no problem with any of these, and am as interested as the next woman.

But there’s one more thing – a “special something” which no one mentions. And they don’t mention it simply because there’s no profit margin. Your favorite plastic surgeons won’t get you under the knife for this. Your favorite “medi-spa” won’t book you for a bit of Botox. Revlon and Estee Lauder – and all the many other cosmetics companies – won’t post greater profits to their stockholders.

The 2011 Summer-Fall issue of New Beauty magazine has articles such as “Botox Breakthroughs” and “The Secret Surgery: How to Look Years Younger in 60 Minutes or Less.”

These are all good – please, I am not suggesting that we don’t take advantage of each and every benefit that these advanced beauty methods offer. From spas to supplements, from hormones to yoga, from restylane to revitalizing face creams – I’m for all of them.

But let’s think about a “one hour beauty treatment” that doesn’t involve a surgical procedure – or even visiting your favorite masseuse.

What could we do so that, as Lord Byron said, our lips would be “roses over-washed with dew“?

This is not some arcane secret that requires a lifetime of questing, and years of esoteric study. Rather, it is practical, efficient, and learnable. Moreover, it gives us instant results. By accessing and using our very own Fountain of Youth, we increase our beauty – we actually do look years younger – without the time and cost (and potential downsides) of cosmetic surgery, injectables and lasers, and other means that are common in our current “beauty culture.”

The Fountain of Youth: What It Is, What It Isn’t

In Unveiling: The Inner Journey I write about the very real Fountain of Youth that any one of us can access and use. It’s all in Chapter 29, “Pragmatic Esoterics.” And I was practicing it this morning, just after waking up.

And yes, I did look ten years younger getting out of bed today!

P.S. Do you want instant access to this “secret”? Go to: The Fountain of Youth: It “Really Is” Real!

Lineage – in Martial Arts, Yoga, Zen – and Belly Dance!

Our “Master Teachers” in Oriental Dance

Recently, I took a workshop with Anahid Sofian, where the day’s classes were taught by her protege, the internationally-renowned Eva Cernik. Among the attendees was Nourhan Sharif, and others who were remarkable for their intelligence (one had her Ph.D. in biochemistry), devotion to the art (most were long-standing students), and overall high level of knowledge about dance, art, and life.

I overheard Nourhan and another dancer, where the question that one of them posed was: Which other leading dancers do you like – and respect – the most? (The context was with historical figures – the luminaries of films, etc.)

Somehow, the conversation swung around to how we – as students, practitioners, and often teachers – show how we respect our own teachers. And someone (here I’m airbrushing just a bit) commented on one dancer who left a well-known teacher to form her own studio. She had been a teacher in the master dance teacher’s studio, and took the students – who were in class with her – when she left to set up her own “establishment.”

This wasn’t just a burst of ego. It was a show of disrespect, and – in simple business terms – an undercutting.

I had the same thing happen to me, and write about it in Unveiling: The Inner Journey. (see the opening for Chapter 15, “Softening: Beginning to Break Through,” beginning page 199.

I recall a conversation with another leading dancer, one with whom I’ve studied and whom I respect a great deal. I asked her how I could honor her in my work. She said, “Simply recognize me in your bio. Say that you’ve studied with me.”

That seems easy enough. Surprisingly, though, there are dancers – those who want to “establish” themselves – who think that the best way to do this is to disregard (and even disrespect) their connections with their teachers and – when they find them – their “master teachers.”

We in the Oriental dance world seek to claim legitimacy for our art form. We want respect. We demand, and the rigor and beauty of our art form demands, a high level of respect.

But to get respect, we have to give it.

Look at the great traditions in the world; the ones where personal teaching is necessary. Martial artists, the world over, acknowledge their teachers. Lineage is exceptionally important.

Lineage is important in ballet, modern dance, and other dance forms. It is important in all branches of yoga.

In Zen meditation, one of the practices is that the disciples recite the names of their master teachers, going up through their entire lineage, and thanking and acknowledging them.

We have a profoundly beautiful, moving, and exquisite art form. We also have lineage. It’s time for us to respect our “master teachers.”

In Unveiling: The Inner Journey, I identify my “master teachers” – in dance, in martial arts, and in body/mind/psyche/energy integration. If I’ve studied with them, and if there is enough of a relationship so that they can pick me out of a lineup, they’re mentioned. I tell stories about them – the kind of “student/teacher” stories that highlight their role as teachers.

Right now, more and more of us are writing. (Morocco’s book is coming out soon, Nourhan Sharif has one underway.) We put together websites. We have videos. In addition to teaching classes and performing, we have numerous venues available to us – through the web, digital media, and print – in which we can honor our “master teachers.”

We want respect? Let’s start by giving it.

Getting "Inner Balance" with T’ai Chi, Chi Kung, and "Push Hands"

Peter Ralston – Martial Arts Master – and an “Unveiling” Master Teacher

Yesterday morning, when the power came back on after Hurrican Irene passed through, I went down to my dance studio for my morning yoga practice. And after my body “woke up” a bit, the yoga became a bit of free-form T’ai Chi, then a bit of Chi Kung, with some of the Silk Weaving exercises mixed in. And within short order, I was back to basic – very elementary – dance movements. Really more the essentials – Anchoring and Grounding, and weight shifting. I began attending to Principles that Peter Ralston had elucidated very clearly when I was studying with him.

Peter Ralston, a martial arts Master Teacher, taught T’ai Chi and other “internal” martial arts. He was – and still is – a very effective fighter. He also based his teachings on certain core body-alignment and energetic Principles. He is one of the Master Teachers whom I reference frequently in Unveiling: The Inner Journey.

Peter has several books published, but one that got a very good review is Re-Thinking Cheng Hsin.

Peter’s teachings have had a profound impact on my dance. I particularly credit him with helping me define my first Principles, beginning with Anchoring. I spent a fair bit of time yesterday, not only in physical practice, but re-thinking how to connect the Principles with how to teach, both for beginner and advanced students. Another element underlying all of Peter’s teachings is that our practice, whether martial arts or any other area, should be “effortless.” (Now I’ll confess that my practice yesterday, during which I focused on releasing tension and having proper alignment, was pretty hard work!)

In Unveiling, I write:

This principle – that of being “effortless” – holds true for us as well. If we are seeking to cultivate our Hathor essence, then we need to create it in a way that is effortless, natural, and easy. Similarly, if we wish to access the deep wisdom of our inner High Priestess, this must especially come about in a soft and gentle manner! In part, because this is the characteristic of real power. And in part, also, this is the only way that things will work most effectively in our lives. (Unveiling: The Inner Journey, p. 165)

You can read more Unveiling excerpts at: Unveiling: The Inner Journey.

Belly Dancing in Water – The "Origins of the Dance!"

Have you ever wondered how it all started? (Belly dance, that is.)

Have you ever wondered how we – as human beings – started? Apart from Creation myth(s), and God taking a rib from Adam, and that sort of thing.

How did we go from being fairly successful pre-hominids to beings with art and culture, with complex languages, and (even) complex thoughts – on topics that range from cosmology to cosmetics to cosmic knowledge.

There had to be a “transition point,” didn’t there?

And for us women, there had to be a point at which dancing evolved.

Specifically, there had to be a point at which belly dance began to evolve, because this dance form is the oldest one that there is!

Seven years ago, I traveled on business to Hawaii. After checking in and taking a short nap, I got up, put on a swimsuit and cover-up, and walked down to Waikiki beach. It was late evening; the beach was deserted. The stars were out, the weather was warm, and starlight and hotel lights sparkled off the gentle waves.

From where the waves slowly lapped the shore, I I walked out more than fifty feet from the water’s edge, until I was chest-high in the warm water. Seaweed softly stroked my skin. I relaxed, lengthened my back, and let the waves gently rock my spine.

This, I realized, is where belly dance was born.

Several millennia ago, we women took to the beaches in the blistering Pliocene-era heat waves.

Up until that time, we (or our earliest ancestral hominids) were fruit-loving forest dwellers. When the savage Pliocene-era heat and drought decimated our favored forest dwellings, we had to live in the plains. This was too hot, and much too dangerous. Being (even then), intelligent beings, we did the only intelligent thing possible. We went to the beach! (So, for that matter, did elephants and dophins, all mammals who’ve adapted to a watery environment. The dolphins stayed and adapted further, and we and the elephants eventually went back on land.) We lost much of our “fur” in the process, and gained a great deal of intelligence. (Elaine Morgan writes about how our “beach time” helped us evolve in The Descent of Women (1972); another really good smart woman’s “beach read.”)

So there I was, in the slowly, lapping waves, under a moonlit and starry night, with seaweed stroking my back and thighs. I relaxed, and “reconnected” with my ancestresses.

And guess what? My body naturally and instinctively began to do the most fundamental movement in Oriental dance (belly dance); an “undulation.” I “undulated” up and down my spine, in rhythm with the waves and the seaweed.

I floated my arms out to my sides, and let them “rest” on the soft swells of the water. Once again, naturally and instinctively, they moved on their own, in a pattern that we now call “snake arms.” It has nothing to do with snakes, not really. When we women first “evolved” this dance movement, it was because our arms naturally responded to the movements of the waves.

You can read an excerpt from Elaine Morgan’s Descent of Woman.

We (or our early pre-human ancestors) spent a lot of time in the water. Enough time to morph us into what we are today; mammals who stand on two legs instead of four; mammals who use speech (which carries beautifully over water); and mammals who have hair on our heads (to protect our heads from the sun’s rays), but who don’t need much hair on the rest of our bodies. We also became mammals who dance.

We have evolved so that standing in water, responding naturally and instinctively to a soft, gently lapping wave, is enormously soothing to us. This kind of movement releases tension. It gets us back to our “calm state.” Movements that “flow” and “undulate” our spine – whether done in water (ideal) or on land (since that’s where we now live) – help us feel good. And movements that open up our shoulders, and stretch out our pectoral muscles, and release our neck tension (especially when done in water) feel very good indeed.

Experiment on your own (if you must), or with a girlfriend or two or three, and even consider asking a belly dance teacher to come up with a “belly dance in the pool” class for you! No matter how it goe, you’ll learn (or discover) means for reducing neck and back tension, unwinding the tight spots in your clavicles and pectoral areas, and even ways for reducing the impact of carpal tunnel syndrome.

What better way to counter this summer’s heat waves? Enjoy!

Yours in dance – Alay’nya

Rebuilding Personal Energy (Ch’i)

Building Personal Energy (Ch’i)

Over the past few days, my personal energy levels had dropped down a bit. I was a bit more tired in the afternoons, and craving carbohydrates and sugars. These were tell-tale signs that my energy and balance were off.

To start rebuilding my personal energy, or ch’i, I prepared with a short and easy yoga session (mostly to stretch out the leg meridians; these help with sleep and relaxation), and took a nap. (Always a good choice.)

When I woke up, I found a good action movie on TV that was just getting started, and did a two-hour yoga/core/resistance/stretch session. Just the basics, nothing new and certainly nothing fancy. But I felt hugely better afterwards.

Then I did some juicing with the last of the “juicing greens and veggies” that I had stored in a special kitchenette where I keep the juicer (and a garbage disposal for handling waste, even though I compost most of it). A dedicated area helps, as a week’s worth of juicing veggies and greens takes up a lot of room. Also, since this is “raw foods,” it’s best to keep it from meats and other food types. My ingredients were: a whole small beet, a whole large carrot and a whole Granny Smith apple, a small handful of parsley, a small handful of cress, and a few stalks of celery (including the leafy parts at the top, and the “celery root” area below the stalks). This was one of the best combos I’d ever made, it was great!

By this time, my energy was perking up. I wound up doing this in the middle of the night, so my goal now is to calm down and go back to bed. However, the combination of yoga and exercise, together with the nutrients from the freshly-squeezed greens and veggies, has my energy flowing again.

It is from this slightly more energized state that I started doing some basic T’ai Chi, and the silk-weaving exercises.

I’ve looked online for vids of the silk-weaving exercises as described in Michael Minik’s book (referenced in a previous post), and couldn’t find any good, “basic” ones. I’m sure that chi kung training is similar, but at some point I’ll try to do a simple little silk-weaving vid, and post on YouTube. This is a great energizing practice, especially when used in conjunction with the basic things that get our bodies moving and our energy flowing.

P.S. – I’m still winding down and getting ready to go back to bed. Herbal tea – I use Celestial Seasoning’s “Sleepytime Extra,” the valerian helps induce sleep, and stir in a little GABA. Also have a chug of the Calcium/Magnesium components of the two-part liquid vitamins that I get from Dr. Sievers at Care Plus in Fairfax, VA.

It’s only when I’ve done a good bit of yoga and stretching to warm up and get my lower back released, and core work to get my abdominal muscles engaged, that I feel ready to fully take advantage of T’ai Chi. And then, only after all of that do I feel that my body is really ready to work with dance. The elements of Oriental dance involve so much stretching and flexing of our spines, our pelvic girdle, and diaphragms – and so much core strength if we are to do it right – that we can have a really good dance workout if half our time (or even more) is spent with warm-ups and preps, getting our body ready to move in the right way. Then the dance techniques flow from internal strength and connection, rather than from being “imposed.”

And we have a much better chance of doing energy circulation work in dance if we’ve prepared properly.