After Basic Emotional Healing – What Next?

The Next Stage in Personal Evolution

Maybe We’re ALL Autistic – to Some Extent

Albert Einstein.
Albert Einstein reportedly quipped, ‘Any man who can drive safely while kissing a pretty girl is simply not giving the kiss the attention it deserves.’

In last week’s post, I asked you (my readers) the question: Are you autistic?

I’d assumed (erroneously) that most of you would say something like: Me? Of course not!

I was wrong.

I got an email back from one of my readers, Yes, I am autistic, and dance helps my symptoms.

What Is It Like to Use Belly Dance for Personal Healing?

I know the woman who wrote back to me; she’s actually very well integrated – she has a strong role in society, is a valuable member of several groups, and is overall an absolute dear and delight.

I was surprised that she labeled herself autistic, although that I knew she used belly dance strongly as a healing modality.

I also knew, though, that she attended strongly to the beat of a “different drum” – she listened more to her inner self than to the external world.

Belly dance has been important for her as a means of tapping into her body’s secret storehouse of knowledge. For her, as for many of us, belly dance (Oriental dance), truly is an integration pathway.

As I reflected on what she wrote, I thought: I’ve used belly dance for healing myself, just as she has. And many, many of my students have said the same.

In fact, probably most of the women who come to me (and yes, like attracts like), have come less because they want to put on the glitzy costume and perform on stage. They come because they want to tap into who they are in a deeper way.

That, and do some serious healing and integration.

And for some of us, of course, performances and other stage opportunities do ensue. (This in fact may be part of the healing process.)

We Heal Ourselves from Being Emotionally and Energetically Fractured

In that sense, maybe we’re all dealing – to at least some extent – with the challenge of having various aspects of who-we-are fractured, and our conscious awareness sometimes not fully tied into either our surroundings or our bodies.

A couple of months ago, I wrote about How Belly Dance Healed My Life.

From the stories that I hear; I suspect that I’m just one among many.

We may not all use the term autistic to describe ourselves, but many of us – due to a range of factors – may feel that it is difficult to be present in this world. Co-opting the title of one of Robert Heinlein’s most famous science fiction novels, many of us feel that we are a Stranger in a Strange Land.


Robert Heinlein’s “Stranger in a Strange Land”

Paper

Kindle


Meaning from Movement Applies to Our Dance

One of the things that I love most about Oriental dance is that it allows us to both access and express the full range of who we are.

This is important, because most of us – in our day-to-day lives – find that we access only a limited part of our emotional range.

Through movement, we express ourselves through a much more complex emotional vocabulary.

In that sense, the phrase coined by autism researcher Dr. Geoffrey Waldon, Meaning [comes] from movement, is useful for all of us.

What’s the Next Step after Basic Emotional Healing?

Our emotional healing progresses throughout our entire lives. Most of us – unless we are a very advanced soul – will not finish in this lifetime.

However, we do move on to progressively deeper – and more refined – aspects of inner healing.

Specifically, we start to work more with our full energetic being.

Carolyn Myss, in her book Why People Don’t Heal and How They Can, writes (in Section One on “Your ‘Cellular Bank Account'”):

Each of us has hundreds of circuits of energy connecting to us, energy that different cultures have named in different ways as the Divine breath of life that animates each of us. What the Indians call prana and the Chinese call ch’i, Christians refer to as grace or the Holy Spirit, and secularists might call vitality or simply life-force. [p. 16]

Although the life-force is equally available to all of us and flows into us whether or not we are aware of it … it’s possible to maximize our intake and use of it. In fact, consciousness means awareness of the flow of life-force into us and the ability to direct it into certain areas of the body, without unknowingly releasing it from other areas of the body.

Imagine this flow of energy as a financial allowance … positive investments will earn you positive returns… Negative investments, on the other hand, will create debt. [p. 16]

The only way to release the pattern into which we have locked ourselves is to release the weight of the past – to get out of the energy debt we can no longer afford to carry. Forgiveness is one sure way out of debt. Forgiving does not mean saying that what happened to you doesn’t matter, or that it is all right for someone to have violated you. It simply means releasing the negative feelings you have about that event and the person or persons involved.[p. 18]


Dr. Carolyn Myss, “Why People Don’t Heal and How They Can”

Paper

Kindle


What Caroline Myss teaches gives us an important and valuable connection:

To use belly dance as a sacred pathway for body/mind/psyche/energy healing and integration, we also have to do some spiritual work. Most especially, we have to learn forgiveness.

First, we start forgiving ourselves. Then, we also forgive others.

The Course in Miracles also teaches forgiveness as a basic principle.

We’re going to be working with this – and with other spiritual principles (gratitude, giving love, and taking responsibility for our thoughts) over the next months.

For today, it may be sufficient to simply start being gentle with yourself.

First step: Ease up on the judging.

We are much harsher with ourselves than we are with anyone else.

Cultivate – to the best extent that you can, just for today – the art of gentleness. (You do this, and I’ll try to do this also.)

How Being Gentle with Ourselves Is the Key to Our Next Stage of Personal Growth

Belly dance gives us the means to be with our bodies, and our feelings. It helps us access our inner feminine core, and express the feminine aspects of ourselves.

There is one more step that we can take, though.

If you’ve been following me on the Unveiling blog, you’ll know that we’ve been working towards the goal of core archetype integration. This is often typified by the seventh card in the Tarot’s Major Arcana; the Chariot. (For those of you familiar with the Tarot, this sounds like a masculine archetype, right? Read Unveiling’s Chapter 7: “A Real Woman’s Path (Really Does Exist!),” to learn the original meaning for this card. It started off as a feminine archetype: the Winged Goddess.)

Beyond the Chariot or Winged Goddess stage, where we literally force our archetypal polar opposites to work together, we open up a brand new stage of learning.

We introduce this with the notion of Strength, Major Arcana Card VIII.

The Tarot card <em>Strength</em> (Major Arcana Card VIII) shows us that after we have strong and firm control over our inner selves, we can begin gentling and taming our inner beast.
The Tarot card Strength (Major Arcana Card VIII) shows us that after we have strong and firm control over our inner selves, we can begin gentling and taming our inner beast.

Have a look at the figure to the left.

It shows us the Tarot card Strength (Major Arcana Card VIII). This is the first card in the second series of major life journeys.

Notice how the woman is easing her “inner beast” to the ground; she’s subduing it not with force, but with gentleness.

In most of my Unveiling blog, and in my book, Unveiling: The Inner Journey, I focus on the first major life journey: getting to access, understand, and integrate our eight core power archetypes.

I briefly mention the second and third journeys adult life journeys. The second journey deals with accessing our inner Fountain of Youth – our intrinsic personal energy.

Martial arts masters – especially of the internal martial arts (T’ai Ch’i Chuan being a premier example) use their internal energy, or ch’i, as part of their practice.

In our second adult life journey, we learn to do the same. (Read Unveiling’s Chapter 29, Pragmatic Esoterics, for a start on this.)

Forgiveness Leads to Gentleness; Gentleness Leads to Tension Release, Tension Release Leads to Better Dance

For a practical start, as you do your belly dance exercises this week, focus on softening your body. Use the force of gravity to help you align, not muscular tension. See how much you can release tension throughout your body.

Saint Francis de Sales, practical and wise (1567-1622)
Saint Francis de Sales, practical and wise (1567-1622)

We’re beginning to learn effectiveness while staying soft, relaxed, and gentle.

As Saint Frances de Sales is credited with saying:

Nothing is so strong as gentleness, nothing so gentle as real strength.

Let’s try putting this into action together, shall we?

And we’ll check in with each other next week.

Very best wishes as you use Oriental dance (belly dance) for personal growth and healing!

Yours in dance –


Alay'nya - author of <a href="http://www.amazon.com/Unveiling-The-Inner-Journey-Alaynya/dp/0982901305/ref=sr_1_1?ie=UTF8&qid=1368123419&sr=8-1&keywords=unveiling+the+inner+journey">Unveiling: The Inner Journey</a>
Alay’nya – author of Unveiling: The Inner Journey

Alay’nya
Author of Unveiling: The Inner Journey
You are the Jewel in the Heart of the Lotus. Become the Jewel!

Founder and Artistic Director, The Alay’nya Studio
Bellydance a courtesan would envy!

Check out Alay’nya’s YouTube Channel
Connect with Alay’nya on Facebook
Follow Unveiling: The Inner Journey on Facebook

French-Patina-border-long-v1-jpg_crppd


Oriental Dancer Nimeera on Unveiling: The Inner Journey

What does Oriental dancer Nimeera have to say about Unveiling: The Inner Journey?

NImeera Nazmine performing with a shamadan (candle headdress); photo courtesy Washington Post.
NImeera Nazmine performing with a shamadan (candle headdress); photo courtesy Washington Post.

This is a wonderful book! Unlike so much of the fluff out there, this one is by no means an “casual read” to read in the little stolen moments of the day. Rather, it is something with many layers of depth to be explored in meditation and contemplation, with a cup of tea, away from the demands of children and husbands. And then not to read all at once, but section by section with time for reflection between readings… It has resonated with me and given me validation for the things I feel and do that don’t always fit with society’s expectations for me, and given me ideas for how to further mold my life path to my greatest satisfaction.

Nimeera Nazmine performs in North Virginia (Fairfax and Woodbridge), as well as in Washington D.C. She also teaches classes in both belly dance and Bollywood-style Indian dance.

French-Patina-border-long-v1-jpg_crppd


 

Alay’nya, Unveiling: The Inner Journey

Paper

Kindle

 

French-Patina-border-long-v1-jpg_crppd


Copyright (c) 2013, Alay’nya. All rights reserved.

Related Posts: Using Belly Dance for Emotional Healing and Personal Healing

Using Belly Dance to Heal Deepest Emotional Wounds – Part 1

Using Belly Dance to Heal Our Deepest “Emotional Core” Wounds – Part 1

This post is not for everyone.

Really.

This is for “mature audiences only” – reader discretion advised.

(The following post shares personal experiences, and is not medical advice. If you are at all in doubt before you begin – should you choose to do something similar to what I’ve done – consider asking for guidance from a licensed medical or therapeutic professional. And perhaps have a trained counselor with you as you do this particular form of “inner journey.”)

What Is a “Core Wound”?

A core wound is the psychological impact from an experience (or set of experiences) that we have when we are young, or are otherwise exceptionally vulnerable. This (these) experience(s) occur when we are still shaping our basic worldview; our concept of whether or not the world is a “friendly place.”

Core wounds most commonly come from experiences with our immediate family. In particular, they come about with those whom we identify as essential to our survival.

To the best of my knowledge, all of us carry with us some sorts of core wound. We often have them no matter how much we do psychotherapy, seek “spiritual enlightenment,” or just plain “work on our stuff.”

How Can We Determine What – In Ourselves – Is Our Own Core Wound?

Mother Henna writes about her experience of seeing her "pain body" as separate from her "light body."
Mother Henna writes about her experience of seeing her “pain body” as separate from her “light body.”

Core wounds feel like psychological “hurt.” In fact, they “hurt” a lot. So as a result, we try to bundle them up and isolate them away from our conscious awareness.

Core wounds never really go away on their own. They stay inside us, with tremendous power – mostly because we try to contain and control them.

How Do We Detect Our Core Wounds, and Know What They Are?

Often, our core wound show up as “blurts.” These can be phrases that we say to ourselves. Sometimes, they even slip into our conversations! Or, we show ourselves (and others around us) a core wound by voicing strong opinions about how a person (or certain group of persons) always does something that is “bad.”

Core wounds feel intensely private. We rarely – if ever – discuss them with others. Often, if we do psychotherapy or have a life coach or a spiritual counselor, we may work for months before we tentatively allow our core wound area to be broached. This is because, of all the parts of our inner world, our core wound feels most sensitive, most vulnerable, most “ouchie”!

And yet, if we do allow a core wound area to “come into the open,” we may be surprised to learn that our coach, counselor, or therapist really knew about it all along. (And so, for that matter, did our relationship partners, and possibly our boss, co-workers, family, and friends.) This is because our core wounds affect us so much that we “give them away” all the time!

Who Else Talks About Core Wounds?

Eckhart Tolle writes about core wounds in The Power of Now. He calls them our pain-body.

Paper

Kindle

Core wounds never really go away on their own. They stay inside us, with tremendous power – mostly because we try to contain and control them.

Often, our core wound show up as “blurts.” These can be phrases that we say to ourselves. Sometimes, they even slip into our conversations! Or, we show ourselves (and others around us) our core wound by voicing strong opinions about how a person (or certain group of persons) always does something that is “bad.”

Using Oriental Dance (Belly Dance) to Heal

We can have breakthroughs, and often do. But still, these are the “core.” They go right down to how we believe that the world works – in our favor, or not. Dangerous, or safe and friendly.

When we dance, we sidestep the cognitive side of who we are. When we let our bodies simply move, and express how we feel, we can access – and begin to heal – our core wounds.

I’m not talking here about technique practice, or learning a tight little choreography. There is nothing wrong with either technique or choreography. But at some point, we need to go beyond – to what dance really is, and what it can do for us – if we start releasing ourselves to the flow of energy and feeling that we can experience as we dance.

Z Helene Christopher – in her excellent paper on Middle Eastern Dance: The Emergence of the New Sacred Temple Priestess – provides four key points that will help all of us (including myself) use Oriental dance (belly dance) to heal our core wounds. According to Z Helene:

There are four main points in which we, as new temple priestesses, reclaim and reconnect with the ancient Goddess.

  1. We must understand our dance as embodying nature, especially its fertility aspects… Our dance exudes fertility. We move our pelvises and roll our bellies, honoring the sexual act and the resulting procreation…
  2. We reclaim and reconnect with the ancients by understanding our dance as manifesting ecstasy… Our movement invokes the ecstatic kundalini…
  3. We reclaim and reconnect with the ancients by understanding our dance as an experience of Divine Union…
  4. We reclaim and reconnect with the Goddess by understanding ourselves as dispensers of karuna; early motherly love … transformed … to embrace all forms of love: touching, tenderness, compassion, mercy, sensual enjoyment and eroticism.

Alay'nya - author of "Unveiling: The Inner Journey"
Alay’nya – author of Unveiling: The Inner Journey

Very best wishes as you tap into who you really are using dance!

Yours in dance –

Alay’nya
Author of Unveiling: The Inner Journey
You are the Jewel in the Heart of the Lotus. Become the Jewel!

Founder and Artistic Director, The Alay’nya Studio
Bellydance a courtesan would envy!

Check out Alay’nya’s YouTube Channel
Connect with Alay’nya on Facebook
Follow Unveiling: The Inner Journey on Facebook


From Z Helene’s Amazon review of “Unveiling: The Inner Journey”: “Unveiling is about becoming more intimate with ourselves. It is about peeling away the outer layers that keep us from knowing, naming, and attaining our deep wants and desires. By embarking upon a transforming inner spiritual journey, we are encouraged to get connected to ourselves in a way that allows us to genuinely feel our bodies and emotions– all of them, even the undesirable ones. By integrating and loving our “shadow” sides, and by doing daily practices such as stillness, softening, releasing, shifting state, and breathing, we increase our vital energy (prana, ch’i) which makes us more attractive and, yes, more erotic as well. For true attractiveness, according to Alay’nya, is the ability of women to lessen their adopted masculine roles of control and being in charge (Amazon archetype), and instead to surrender to pure energy, motion, and love. This is what makes us beautiful!”


Z Helene Christopher
Z Helene Christopher – Dancer and Herstorian, High Priestess and Teacher. Photo courtesy Rick Fink.

P.S. – Have you read Z Helene’s article on Middle Eastern Dance: The Emergence of the New Sacred Temple Priestess? I recommend it to all my dancers!

Z Helene also has a 4-volume basic Middle Eastern dance (belly dance) instructional DVD set, and another DVD on zills, available through her website. Check them out!


Copyright (c) 2013, Alay’nya. All rights reserved.

Related Posts: Energy Healing and Emotional Healing through Dance

Great exercise to help with knee strength

Dear Ones —

This Sunday’s (Oct. 19th, 2008) Parade magazine had a Special Report about Women’s Health by Claudia Wallis. She opens with:

“When I ripped a ligament in my knee on a ski-slope last winter, I had no idea that I was joining a limping sisterhood. A torn ACL (anterior cruciate ligament) ranks among the most common sports-related knee injuries. But women are five to sevn times as likely as men to sustain this kind of athletic damage.”

Ms. Wallis continues with an interview with Dr. Laura Tosi, director of the bone-health program at Children’s Natioanl Medical Cneter in Washington, DC. Dr. Tosi, and studies that Ms. Wallis has read, point out that “girls tend to run, jump, and turn with straighter legs and less bending at the knees and hips than boys.” This, and other factors, make us more susceptible to knee and other joint injuries.

Ms. Wallis is not alone in her experience of knee problems — I have them myself, and so do some of my students. (The older we get, the more likely we are to have this as a problem area.)

In fact, one of my favorite dance teachers, Anahid Sofian in New York City, started learning belly dance on the recommendation of her physical therapist. In doing modern dance, she had overworked her knees, and was in pain. She sought help from her doctors, who then prescribed physical therapy. Her therapist recommended belly dance as a therapeutic exercise. She tried it, became entranced by the art form, and from there went on to become one of the world’s leading choreographers and teachers in this area.

Fortunately for us, we can ALL use belly dance as a therapeutic exercise. The key ingredient that makes this work? We dance in a “bent-knee” posture. ALL of our movements involve keeping our knees just slightly bent. This means that:
1) We strengthen our thighs AND our abs (we need strong abs to make this work),
2) We lengthen our lower back, getting our pelvis to align straight with the floor — this helps a LOT to release lower back tension!, and
3) We strengthen the muscles around our knees.

Belly dance is an ancient, beautiful, and sensual women’s art form. It is very likely the oldest dance form on this planet, although other “native/folk” dances (e.g., Polynesian, African) could have started around the same time. Because belly dance is such an old art form, it is very aligned with how our bodies are naturally designed to move. (In contrast, more recent dance forms, such as ballet, are much more “artificial,” and can actually produce joint damage.)

Our bodies were naturally designed to have – and work best when – we are in a posture where our pelvis is aligned with the floor, our knees are slightly bent (this helps with pelvic alignment), and our spine and neck are “lengthened” so that the top of our heads reaches towards the sky. This is the posture that we practise and use in belly dance.

We think of this as having “soft knees” – knees are very slightly bend; not locked in place. This not only reduces pressure on the knee joint, but helps to mobilize our pelvis.

This pelvic-aligned, soft-knee, spine-lengthened posture helps us be more naturally graceful and beautiful. (Not to mention, it gives the immediate impression of losing ten pounds!) With this as a framework, we create elegant and sensual movements — all while being non-impact!

For those that would like to add a fun way to strengthen their bodies, and feel and look much better, belly dance would be a great exercise alternative!

Copyright (c) 2008, Alay’nya. All rights reserved.

Related Posts: Creating a Youthful Presence Through Belly Dance