How to Prepare for Your First Class in Belly Dance

Advance Preparation Makes All the Difference in Learning Oriental Dance (Belly Dance)

Darlings – I have a confession to make.

If you’re tracking this blog at all, you’ll know that we’re having our first Open House in over two years. For all practical purposes, I had closed the Alay’nya Studio while doing the final rewrites, edits, proofs, and publication of my most recent book, Unveiling: The Inner Journey. And then, a first year of guiding it through public introduction. Think of it has having a baby, where the last three months of “gestation time” that we need for a human child transferred into 2-3 years to bring Unveiling from raw draft to finished product.

Now, of course, it is not only available (in both trade paper and Kindle download form), Unveiling is actually the first required reading for people who want to study with me.

Obviously, though, this is a dance class. And I’m having to get my “dance groove” back on, just as you will when you join me. (Mark your calendar NOW for our Open House on Sunday, Sept. 9th, and contact me for directions and details.)

So I’m practicing. And in addition to the yoga, core, and conditioning basics, I’m back to practicing dance (and developing lesson plans, reworking choreographies and practice pieces, and all sorts of things necessary to launch a great season).

One of my favorite training DVDs is Kathryn Ferguson’s Mid-Eastern Dance: An Introduction to the Art of Belly Dance.

Years ago, this was my most significant instructional tape; then available only in VHS form. During a summer when my dance teachers took a break, I had just refinished my living room. This empty room beckoned as a new “dance studio.” The big challenge was: could I get myself to practice all on my own, without the structure and security of a dance class to guide me?

My next big question was: could I ever look like Kathryn?

I was entranced and inspired by her tape. What was most mesmerizing about her presentation was that after each (well-explained and well-demonstrated) technique section, she’d have a little vignette in which she used those techniques in an improvisational dance.

I wanted desperately to look like her, to dance like her. Even after finding my “master teachers” (Anahid Sofian and Elena Lentini; read about them in Unveiling), Kathryn remained an icon. And her VHS tape was always my reference standard for introductory teaching.

Now, I’m using her material again. This time, she’s (so thankfully!) released it as a two-volume DVD. You’ll have to contact her to get a copy; it’s not available through Amazon, and not even as a “store item” from her website. But contact her directly. (I may place a bulk order for the class, once everyone has registered for the first quarter.) The extra effort is worth it. This still remains, by far, one of the most fascinating, beautiful, and useful introductory DVDs to this beautiful and gracious art.

But my confession? Right now, I’m looking nowhere near the way that Kathryn does in her teaching DVD. Full circle. I’m back to being a student before I can be a teacher again.

"Structured Curriculum Support"

Dear Ones –

This dialogue supports Alay’nya Studio members who want to give inputs to one of our major goals for 2005: “Structured Curriculum Support.” All of you in the Studio are invited to comment!

This theme got started during a post-workshop coffee-session on Sunday, Nov. 14th (2004) between Dancers Kriste and Linda and Alay’nya. The question was: What would support you (the dancers) most for this coming year? The answer, reduced to essentials, was: More focus, more “completion” (e.g., whole choreographies, start-to-end), and more “curriculum support.”

As Dancer Kriste put it, “We have the discipline, we just need the structure.”

Very well said, Kriste!

Many of us come to Mid-Eastern dance (belly dance, Danse Orientale, Raks Sharqi …) to tap into an inner expressive core that we all have – one that lives in an entirely different world than that of our 9-5 (and occasionally 5-9) jobs. In dance, we cultivate our access to our “feeling-sense” mode, rather than our every-day “cognitive-thinking” mode.

Yet Kriste’s and Linda’s points are very well made. We do need technique mastery in order to excel in this art. For many of us, structured choreography is a “path of confidence” into the “structured improvisation” that underlies true expressive dancing. Being able to do an entire choreography – and building a repertoire of choreographies – is an important part of developing not just skill, but confidence.

Many of our Studio members can only make class once a week, but are very willing to practice at home. The challenge that they find lies in figuring out just what to do when they want to practice at home. (I do remember this stage in my dance development; it very much is part of the path.)

So the idea that I suggested to Kriste and to Linda – and which met with their enthusiastic support – was to select a dance for each quarter that was already choreographed and commercially available on DVD or analog video. We would also need to have the music available for this dance. I would prepare teaching materials for that dance and teach it in class. Studio members could then follow up with at-home practice, using both the instructional DVD/vid and the music. This would give them reinforcement for the dance choreography, plus a structure with which to work for home study.

Additionally, I am going to try to select a technique-oriented instructional DVD/vid for each quarter, and teach the material in class, and correlate the class instruction to the appropriate DVD/vid sections. This will be an alternative at-home practice. Studio members can do either or both at-home studies (choreography &/or technique); I’ll do my best to make sources for the quarterly selections of DVD/vid and accompanying music available via my website (www.alaynya.com/Instruction.htm)

Any thoughts / comments?

Best to all – A.

P.S. – One of the other ideas that we came up with during the coffee-session was that we would get a blog going, and use it to build community and share thoughts on topics like this – so that we could each access the blog at our leisure, and read / comment on whatever interested us at the time. So starts our Studio Blog!